Director: Andrey Konchalovskiy
Cast: Irina Anisimova-Wulf, Sergey Bondarchuk, Irina Kupchenko
Soviet Union, 1971, 104’, black & white, color
Russian with Turkish subtitles
Chekhov's masterwork about the breakdown of a family held together by a tissue of lies and self-deception is brought to stunning life in Andrei Konchalovsky's brilliant adaptation. A retired professor returns with his new, much younger wife in tow to the estate that he inherited from his now-deceased first wife. The estate is still managed by his former brother-in-law, Vanya, a man who has learned to suppress all his personal desires and dreams. The delicate balance that defines the world of this fading clan is decidedly upset by the arrival of the professor's new wife, and once broken that balance will prove impossible to restore. Konchalovsky effectively captures the mood of a world coming to an end, the peeling paint and slightly ramshackle condition of the house signals the future of the characters even more succinctly than their actions.
Trailer
The war fought by the Greeks to shake off the Turkish yoke was closely observed around Europe and, this being the era of romanticism, the events taking place around Greece between 1821 and 1832 became a symbol for national liberation struggle.
Based on similar examples by the European painters in various collections, this work is one of the portraits of Mihrimah Sultan, who was depicted rather often in the 16th century.
Coffee was served with much splendor at the harems of the Ottoman palace and mansions. First, sweets (usually jam) was served on silverware, followed by coffee serving. The coffee jug would be placed in a sitil (brazier), which had three chains on its sides for carrying, had cinders in the middle, and was made of tombac, silver or brass. The sitil had a satin or silk cover embroidered with silver thread, tinsel, sequin or even pearls and diamonds.
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On Wednesdays, the students can
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