Director: Andrey Konchalovskiy
Cast: Irina Anisimova-Wulf, Sergey Bondarchuk, Irina Kupchenko
Soviet Union, 1971, 104’, black & white, color
Russian with Turkish subtitles
Chekhov's masterwork about the breakdown of a family held together by a tissue of lies and self-deception is brought to stunning life in Andrei Konchalovsky's brilliant adaptation. A retired professor returns with his new, much younger wife in tow to the estate that he inherited from his now-deceased first wife. The estate is still managed by his former brother-in-law, Vanya, a man who has learned to suppress all his personal desires and dreams. The delicate balance that defines the world of this fading clan is decidedly upset by the arrival of the professor's new wife, and once broken that balance will prove impossible to restore. Konchalovsky effectively captures the mood of a world coming to an end, the peeling paint and slightly ramshackle condition of the house signals the future of the characters even more succinctly than their actions.
Trailer
“The portrait tells us that there is an inner and an outer dimension of the human condition; it provides—or should provide—information about both the physical and psychological character of an individual.”
Berggren acquires the techniques of photography in Berlin and holds different jobs in various European cities before arriving in İstanbul. Initially en route to Marseille, he disembarks from his ship in 1866 and settles in İstanbul, where he is to spend the rest of his life.
It is understood from Evliya Çelebi’s well-known Book of Travels that the history of sea baths goes as far back as the 17th century; their acceptance and popularization take place in mid-19th century as a result of Westernization, among other things.
Tuesday - Friday 11.00 - 18.00
The museum is closed on Mondays,
Saturdays and Sundays.
On Wednesdays, the students can
visit the museum free of admission.
Full ticket: 25 TL
Discounted: 10 TL
Groups: 20 TL (10 people or more)
