Uncle Vanya

  • January 30, 2016 / 14:00
  • February 20, 2016 / 17:00

Director: Andrey Konchalovskiy
Cast: Irina Anisimova-Wulf, Sergey Bondarchuk, Irina Kupchenko
Soviet Union, 1971, 104’, black & white, color
Russian with Turkish subtitles

Chekhov's masterwork about the breakdown of a family held together by a tissue of lies and self-deception is brought to stunning life in Andrei Konchalovsky's brilliant adaptation. A retired professor returns with his new, much younger wife in tow to the estate that he inherited from his now-deceased first wife. The estate is still managed by his former brother-in-law, Vanya, a man who has learned to suppress all his personal desires and dreams. The delicate balance that defines the world of this fading clan is decidedly upset by the arrival of the professor's new wife, and once broken that balance will prove impossible to restore. Konchalovsky effectively captures the mood of a world coming to an end, the peeling paint and slightly ramshackle condition of the house signals the future of the characters even more succinctly than their actions.

The Lady with the Dog

The Lady with the Dog

Uncle Vanya

Uncle Vanya

An Unfinished Piece for the Player Piano

An Unfinished Piece for the Player Piano

A Hunting Accident

A Hunting Accident

Vanya on 42nd Street

Vanya on 42nd Street

Chekhov's Motifs

Chekhov's Motifs

Ward # 6

Ward # 6

Winter Sleep

Winter Sleep

Trailer

Uncle Vanya

Paris Without End (1959-1965)

Paris Without End (1959-1965)

In the 60s, Alberto Giacometti paid homage to Paris, the city where he lived, by drawing its streets, cafés, and more private places like his studio and the apartment of his wife, Annette. These drawings would make up his last book, Paris sans fin (Paris Without End). 

Cindy Sherman Look At Me!

Cindy Sherman Look At Me!

The exhibition Look at Me! Portraits and Other Fictions from the ”la Caixa” Contemporary Art Collection examines portraiture, one of the oldest artistic genres, through a significant number of works of our times. Through the exhibition we will be sharing about the artists and sections in Look At Me!.

The First Nudes

The First Nudes

Men were the first nudes in Turkish painting. The majority of these paintings were academic studies executed in oil paint; they were part of the education of artists that had finally attained the opportunity to work from the live model. The gender of the models constituted an obstacle in the way of characterizing these paintings as ‘nudes’.