The Sky Sparkles
In Praise of Chekhov

January 29 - February 27, 2016

Anton Chekhov (29 January 1860 – 15 July 1904), one of the greatest playwrights wrote his major works from 1894 until his death in 1904 - during cinema's first decade. He never wrote for the screen, though it is tempting to imagine what they may have looked like; his skill at charting subtle changes in relationships, emotions, memories and actions as well as the challenge and requirements of performing his works, such resources may have been a perfect fit for Chekhov's artistry. Pera Film in collaboration with Seagull Films is presenting The Sky Sparkles: In Praise of Chekhov, a program of films surveying Chekov’s accomplished works, through the lens of predominantly Soviet and Russian filmmakers. One of the watchwords of 19th century literature was the idea of "realism," an attempt to focus on the triumphs and tragedies of unremarkable, rather everyday people. Chekhov was very dedicated to promoting an idea of realism in his theatrical work, and to better serve his plays the Moscow Art Theater under Konstantin Stanislavsky, with whom his work was closely associated, developed a new approach to acting that later became known in the United States as "method acting." The program includes one of Russia's finest contemporary filmmakers Karen Shaknazarov’s provocative update of a Chekhov story, Ward No. 6 which was Russia’s official Academy Award nominee for Best Foreign Language film in 2009. Other highlights in the program are Andrei Konchalovsky's magnificent version of Uncle Vanya as well as his brother Nikita Mikhalkov's brilliant An Unfinished Piece for the Player Piano based partly on Chekhov's lesser-known play Platonov. Chekhov's Motifs, a free adaptation of Tatiana Repina, proves to be one of Kira Muratova's most innovative works. Nuri Bilge Ceylan’s Winter Sleep inspired by Chekhov’s stories and also Louis Malle’s last film Vanya on 42nd Street accompanies the program. The Sky Sparkles journeys through the work of one of the most celebrated figures in the history of literature, Anton Chekhov whose craft today remains of great relevance.


in collaboration with

January 29

19:00 The Lady with the Dog

January 30

14:00 Uncle Vanya

February 6

14:00 An Unfinished Piece for the Player Piano

16:00 Ward # 6

February 7

14:00 Chekhov's Motifs

February 10

19:00 A Hunting Accident

February 12

20:00 Vanya on 42nd Street

February 13

14:00 A Hunting Accident

16:00 The Lady with the Dog

February 14

15:00 An Unfinished Piece for the Player Piano

February 19

20:00 Chekhov's Motifs

February 20

17:00 Uncle Vanya

19:00 Vanya on 42nd Street

February 26

20:00 Ward # 6

February 27

14:00 Winter Sleep

The Lady with the Dog

The Lady with the Dog

Uncle Vanya

Uncle Vanya

An Unfinished Piece for the Player Piano

An Unfinished Piece for the Player Piano

A Hunting Accident

A Hunting Accident

Vanya on 42nd Street

Vanya on 42nd Street

Chekhov's Motifs

Chekhov's Motifs

Ward # 6

Ward # 6

Winter Sleep

Winter Sleep

Program Trailer

The Sky Sparkles
In Praise of Chekhov

The Sky Sparkles: In Praise of Chekhov, journeys through the work of one of the most celebrated figures in the history of literature, Anton Chekhov whose craft today remains of great relevance.

Giacometti’s Final Works

Giacometti’s Final Works

Giacometti was selected for three important retrospectives at the New York Museum of Modern Art, the Tate Gallery in London and the Louisiana Museum of Art in Denmark, all of which were a great success. 

Cindy Sherman Look At Me!

Cindy Sherman Look At Me!

The exhibition Look at Me! Portraits and Other Fictions from the ”la Caixa” Contemporary Art Collection examines portraiture, one of the oldest artistic genres, through a significant number of works of our times. Through the exhibition we will be sharing about the artists and sections in Look At Me!.

The Search for Form

The Search for Form

A series of small and rather similar nudes Bedri Rahmi Eyüboğlu and Eren Eyüboğlu produced in the early 1930s almost resemble a ‘visual conversation’ that focus on a pictorial search. It is also possible to find the visual reflections of this earlier search in the synthesis Bedri Rahmi Eyüboğlu reached with his stylistic abstractions in the 1950s.