It’s a warm and sunny Sunday afternoon in Berlin, where three generations of a family gather in a flat for an evening meal. There are hectic preparations in the kitchen. Everyone is present in this picture: 2 siblings in their 20’s, a little girl screaming and jumping around with a remote helicopter at hand, a mother who is the real chief in action of this scene, dad, uncle, aunts, cousins, neighbours and a tawny red cat in the middle of it all. Ramon Zürcher made a marvelous job gratifying the story of each and every character in this picture and creating fragments and stories from every little detail which actually proves him out to be compared with Bresson or Tati from his debut feature film. In a plain, comfortable manner of working, without trying to achieve avid resolutions, The Strange Little Cat puts out the absurd mediocre of humankind.
Trailer
Giorgio de Chirico was born on July 10, 1888, in Volos, Greece, to an Italian family. His mother, Gemma Cervetto, was from a family of Genoa origin, but most likely she was born in Izmir. His father, Evaristo, was born on June 21, 1841 in the Büyükdere district of Istanbul.
Having penetrated the Balkans in the fourteenth century, conquered Constantinople in the fifteenth, and reached the gates of Vienna in the sixteenth, the Ottoman Empire long struck fear into European hearts.
In 1998 Ben Jakober and Yannick Vu collaborated on an obvious remake of Marcel Duchamp’s Roue de Bicyclette, his first “readymade” object. Duchamp combined a bicycle wheel, a fork and a stool to create a machine which served no purpose, subverting accepted norms of art.
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