Director: Ken Kobland
USA; 1996, 19’47’’; color; English; Turkish subtitles
A self-described “collage piece” of “stolen images,” Shanghaied Text starts with quiet Montana landscapes, among which are views of a powerful dam. When the dam breaks loose you find yourself “shanghaied” to places unknown, where Kobland confronts you with a provocative mix of historical, lyrical, sexual and political references. Using quotes and pieces from movies by Vertov, Dovjenko, and Buñuel, along with archival images of social protests from the liberation of Paris, the piece builds to an operatic culmination with Turandot’s final choir. Shanghaied Text is a remarkable, dense and gripping work that leaves the viewer pondering our political and cultural heritage, as well as the role and place of technology in our future.
Having penetrated the Balkans in the fourteenth century, conquered Constantinople in the fifteenth, and reached the gates of Vienna in the sixteenth, the Ottoman Empire long struck fear into European hearts.
Coffee was served with much splendor at the harems of the Ottoman palace and mansions. First, sweets (usually jam) was served on silverware, followed by coffee serving. The coffee jug would be placed in a sitil (brazier), which had three chains on its sides for carrying, had cinders in the middle, and was made of tombac, silver or brass. The sitil had a satin or silk cover embroidered with silver thread, tinsel, sequin or even pearls and diamonds.
Suggesting alternative models for new social and economic systems, SUPERFLEX works appear before us as energy systems, beverages, sculptures, copies, hypnosis sessions, infrastructure, paintings, plant nurseries, contracts, or specifically designed public spaces.
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Tuesday - Saturday 10:00 - 19:00
Friday 10:00 - 22:00
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The museum is closed on Mondays.
On Wednesdays, the students can
visit the museum free of admission.
Full ticket: 200 TL
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