Director: Ken Kobland
USA; 1996, 19’47’’; color; English; Turkish subtitles
A self-described “collage piece” of “stolen images,” Shanghaied Text starts with quiet Montana landscapes, among which are views of a powerful dam. When the dam breaks loose you find yourself “shanghaied” to places unknown, where Kobland confronts you with a provocative mix of historical, lyrical, sexual and political references. Using quotes and pieces from movies by Vertov, Dovjenko, and Buñuel, along with archival images of social protests from the liberation of Paris, the piece builds to an operatic culmination with Turandot’s final choir. Shanghaied Text is a remarkable, dense and gripping work that leaves the viewer pondering our political and cultural heritage, as well as the role and place of technology in our future.
In 1493, exactly 500 years ago, Leonardo da Vinci was finishing the preparations for casting the equestrian monument (4 times life size), which Ludovico il Moro, Duke of Milan commissioned in memory of his father some 12 years earlier.
Giorgio de Chirico was born on July 10, 1888, in Volos, Greece, to an Italian family. His mother, Gemma Cervetto, was from a family of Genoa origin, but most likely she was born in Izmir. His father, Evaristo, was born on June 21, 1841 in the Büyükdere district of Istanbul.
In 1998 Ben Jakober and Yannick Vu collaborated on an obvious remake of Marcel Duchamp’s Roue de Bicyclette, his first “readymade” object. Duchamp combined a bicycle wheel, a fork and a stool to create a machine which served no purpose, subverting accepted norms of art.
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