Sex and Lucía

  • July 5, 2018 / 19:00
  • July 26, 2018 / 19:00

Director: Julio Medem
Cast: Paz Vega, Tristán Ulloa, Najwa Nimri, Daniel Freire
Spain, 2001, 128', color, Spanish with Turkish subtitles
 
Spanish director Julio Medem’s fifth film is a passionate, stylishly directed and frequently erotic meditation on love, loss, sex, fantasy and the nature of fiction versus reality. The story details the complex triangular relationship between Lorenzo (Ulloa), a writer given to rehashing his own life for his novels; his girlfriend Lucía (Vega), who retreats to the island location of one of his novels in order to reflect on their history together; and Elena (Nimri), a woman who, unbeknownst to him, had Lorenzo’s child after a holiday romance.

Mr. Hulot’s Holiday

Mr. Hulot’s Holiday

Sim Sala Bim

Sim Sala Bim

Bonjour Tristesse

Bonjour Tristesse

L'Avventura

L'Avventura

Death in Venice

Death in Venice

Pauline at the Beach

Pauline at the Beach

A Summer's Tale

A Summer's Tale

Eternity and a Day

Eternity and a Day

Sex and Lucía

Sex and Lucía

Kinetta

Kinetta

The Beaches of Agnès

The Beaches of Agnès

About Elly

About Elly

Paradise: Love

Paradise: Love

The Blue Wave

The Blue Wave

On the Coast

On the Coast

Trailer

Sex and Lucía

İstanbul: Before & After

İstanbul: Before & After

Selected from the Suna and İnan Kıraç Foundation Photography Collection, we present the landscapes and places in Istanbul photographs, dating from the 1850s to the 1980s, together with their present-day views!

Giorgio de Chirico

Giorgio de Chirico

Giorgio de Chirico was born on July 10, 1888, in Volos, Greece, to an Italian family. His mother, Gemma Cervetto, was from a family of Genoa origin, but most likely she was born in Izmir. His father, Evaristo, was born on June 21, 1841 in the Büyükdere district of Istanbul.

Marcel Duchamp’s Bicycle Wheel

Marcel Duchamp’s Bicycle Wheel

In 1998 Ben Jakober and Yannick Vu collaborated on an obvious remake of Marcel Duchamp’s Roue de Bicyclette, his first “readymade” object. Duchamp combined a bicycle wheel, a fork and a stool to create a machine which served no purpose, subverting accepted norms of art.