Santo in the Wax Museum

  • February 8, 2014 / 18:00
  • February 12, 2014 / 19:00

Director: Alfonso Corona Blake, Manuel San Fernando
Cast: Santo, Claudio Brook, Norma Mora
Mexico; 92’, 1963, black and white

Spanish with Turkish subtitles

Santo faces the sinister powers of Dr. Karol, a famed European surgeon who went mad after being imprisoned in a concentration camp, and who now directs the Wax Museum. When beautiful magazine photographer Susana disappears after visiting the museum, Santo will fight to rescue her before Dr. Karol, who “hates beauty”, transforms her into a living wax figure called “the Panther Woman.”

Anonymous Death Threat

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Santo vs. the She-Wolves

Santo vs. the She-Wolves

Santo and Blue Demon vs. the Monsters

Santo and Blue Demon vs. the Monsters

Santo in the Wax Museum

Santo in the Wax Museum

Santo vs. Blue Demon in Atlantis

Santo vs. Blue Demon in Atlantis

A Photographer’s Biography Ali Sami Aközer

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Ali Sami is born in Rusçuk in 1866, and moves to İstanbul. Because his family is registered in the Beylerbeyi quarter of Üsküdar, Ali Sami is also called Üsküdarlı Ali Sami. He graduates from the Mühendishane-i Berri-i Hümayun in 1866 and becomes a teacher of painting and photography at the school.

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Suggesting alternative models for new social and economic systems, SUPERFLEX works appear before us as energy systems, beverages, sculptures, copies, hypnosis sessions, infrastructure, paintings, plant nurseries, contracts, or specifically designed public spaces.

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1638, the year Louis XIV was born –his second name, Dieudonné, alluding to his God-given status– saw the diffusion of a cult of maternity encouraged by the very devout Anne of Austria, in thanks for the miracle by which she had given birth to an heir to the French throne. Simon François de Tours (1606-1671) painted the Queen in the guise of the Virgin Mary, and the young Louis XIV as the infant Jesus, in the allegorical portrait now in the Bishop’s Palace at Sens.