Director: Can Candan
Turkey, 2012, 82’
Benim Çocuğum takes us in to five different households in Turkey. We listen to lesbian, gay, bisexual and trans kids stories from their parents point of view. All the stories have denial, trauma, helplessness, fear, shame, acceptance and rebirth themes in common. While a mother worries that her kid is going to be hurt, the other one remembers the first bra she bought for her trans daughter. A grandmother asks “Is this from God?” and she is ready to accept what is from God. These parents that accepted their kids as they are in a transphobic and homophobic society, redefine being an activist while sharing their experiences. The documentary that takes its power from the parents love is a simple and sincere expression of the most powerful resistance against homophobia and transphobia.
Trailer
The Bosphorus, which divides the city from north to south, separates two continents, renders Istanbul distinct for western painters, offers the most picturesque spectacles for western artists.
José Sancho does not conceal the voluptuousness of his female torsos; he highlights it. These torsos are symmetrical from front, but on the other hand, from the side, the juxtaposition of concave and convex forms creates dynamism.
Men were the first nudes in Turkish painting. The majority of these paintings were academic studies executed in oil paint; they were part of the education of artists that had finally attained the opportunity to work from the live model. The gender of the models constituted an obstacle in the way of characterizing these paintings as ‘nudes’.
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