Los Amarillos

  • December 1, 2022 / 19:00
  • December 2, 2022 / 20:00
  • December 9, 2022 / 20:00
  • December 15, 2022 / 19:00

Directors: Santiago Lemus, Camilo Acosta Huntertexas
2022, 10' 16'', HDD, color
Spanish with Turkish subtitles

In Colombia, many people living with HIV experience jaundice–the yellowing of the eyes and skin–as a side effect of the low cost antiretroviral drugs supplied by the government. Los Amarillos addresses the alienation and hypervisibility faced as a result of this side effect.

Vertical Memory

Vertical Memory

Kiss of Life

Kiss of Life

Nuance

Nuance

Los Amarillos

Los Amarillos

We Are Here: Voices of Black Women Who Live with HIV

We Are Here: Voices of Black Women Who Live with HIV

Red Flags, a Love Letter

Red Flags, a Love Letter

Lxs dxs bichudas

Lxs dxs bichudas

I Copy Therefore I Am

I Copy Therefore I Am

Suggesting alternative models for new social and economic systems, SUPERFLEX works appear before us as energy systems, beverages, sculptures, copies, hypnosis sessions, infrastructure, paintings, plant nurseries, contracts, or specifically designed public spaces.

Symbols

Symbols

Pera Museum’s Cold Front from the Balkans exhibition curated by Ali Akay and Alenka Gregorič brings together contemporary artists from Albania, Bosnia and Herzegovina, Bulgaria, Croatia, Kosovo, Macedonia, Montenegro, Romania, Serbia and Slovenia.

Giorgio de Chirico

Giorgio de Chirico

Giorgio de Chirico was born on July 10, 1888, in Volos, Greece, to an Italian family. His mother, Gemma Cervetto, was from a family of Genoa origin, but most likely she was born in Izmir. His father, Evaristo, was born on June 21, 1841 in the Büyükdere district of Istanbul.