Invincible Lovers

  • December 5, 2024 / 17:00

Director: Stavros Tsiolis
Cast: Tassos Miliotis, Olia Lazaridou, Konstantinos Tzoumas
Greece, 1988, 90', DCP, color
Greek with Turkish, English subtitles 

To reunite with his grandmother, young Vassilis runs away from the orphanage, roams around the heart of Athens and then decides to take the train for Tripolis. He wanders about the mountainous regions of Arcadia and comes upon a young woman whose car has broken down. The two of them form an unexpected but equally beneficial alliance and continue their wanderings the whole summer, until the boy returns to his grandmother's house, a dilapidated ruin with no sign of life.

The Striker with Number 9

The Striker with Number 9

The Cronos Children

The Cronos Children

The Love of Ulysses

The Love of Ulysses

A Place in the Sun

A Place in the Sun

The Wretches Are Still Singing

The Wretches Are Still Singing

A Foolish Love

A Foolish Love

Invincible Lovers

Invincible Lovers

Voyage to Cythera

Voyage to Cythera

Angel

Angel

Donousa

Donousa

Quiet Days in August

Quiet Days in August

Life on Sale

Life on Sale

In the Shadow of Fear

In the Shadow of Fear

From the Snow

From the Snow

Lefteris Dimakopoulos

Lefteris Dimakopoulos

Revanche

Revanche

Take Care

Take Care

Interview with Isabel Muñoz <br> By Merve Akar Akgün

Interview with Isabel Muñoz
By Merve Akar Akgün

Isabel Muñoz is a Spanish photographer renowned for her captivating monochromatic portraits of individuals and cultures from around the world. Her works have been widely exhibited in numerous galleries and museums globally. 

From two portraits of children…

From two portraits of children…

The Suna and İnan Kıraç Foundation’s Orientalist Painting Collection includes two children’s portraits that are often featured in exhibitions on the second floor of the Pera Museum. These portraits both date back to the early 20th century, and were made four years apart. One depicts Prince Abdürrahim Efendi, son of Sultan Abdulhamid II, while the figure portrayed on the other is Nazlı, the daughter of Osman Hamdi Bey.

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In this piece, Żmurko presents an exotic image of a harem chamber, replete with gleaming fabrics and scattered jewels, as a setting for the statuesquely beautiful body of an odalisque murdered “at the order of the padishah”.