In the Shade of the Poplar Tree

Director: Kenan Diler 
Turkey, 2025, 64’, DCP, color 
Turkish, Kurdish with Turkish, English subtitles 

Mikail, who looks like a madman and a dervish, runs an ordinary cafe to isolate himself from society and his family’s strict traditional structure. He intends to open a boutique hotel for his mother, who has been his father’s second wife since the age of 14 and is persecuted in patriarchal society. He dreams that she can live in this hotel so she can forget all she has gone through. 

Memory-Like: An Oral History of QueerFest

Memory-Like: An Oral History of QueerFest

100: The Story of a Newspaper

100: The Story of a Newspaper

From Mardiros Until Now

From Mardiros Until Now

In the Shade of the Poplar Tree

In the Shade of the Poplar Tree

Block E, No. 5

Block E, No. 5

A Strange Colour of Dream

A Strange Colour of Dream

Ezda

Ezda

Tomato, Pepper, Depression

Tomato, Pepper, Depression

Exile Never Ends

Exile Never Ends

A Memory of Friendship

A Memory of Friendship

Together

Together

Otherwise in Istanbul

Otherwise in Istanbul

Walk of Iris

Walk of Iris

Radio, My Love

Radio, My Love

Hand in Hand: Women from Yırca

Hand in Hand: Women from Yırca

Traugott

Traugott

Turquerie

Turquerie

Having penetrated the Balkans in the fourteenth century, conquered Constantinople in the fifteenth, and reached the gates of Vienna in the sixteenth, the Ottoman Empire long struck fear into European hearts. 

The Ottoman Way of Serving Coffee

The Ottoman Way of Serving Coffee

Coffee was served with much splendor at the harems of the Ottoman palace and mansions. First, sweets (usually jam) was served on silverware, followed by coffee serving. The coffee jug would be placed in a sitil (brazier), which had three chains on its sides for carrying, had cinders in the middle, and was made of tombac, silver or brass. The sitil had a satin or silk cover embroidered with silver thread, tinsel, sequin or even pearls and diamonds.

Il Cavallo di Leonardo

Il Cavallo di Leonardo

In 1493, exactly 500 years ago, Leonardo da Vinci was finishing the preparations for casting the equestrian monument (4 times life size), which Ludovico il Moro, Duke of Milan commissioned in memory of his father some 12 years earlier.