Hell

October 23, 2018 / 19:00
October 28, 2018 / 14:00

Director: Danis Tanović

Cast: Karin Viard, Emmanuelle Béart, Marie Gillain, Jacques Gamblin

France, Italy, Belgium, Japan, 2005, 98', color

French with Turkish subtitles

In Paris, during the eighties, a man freed from prison is rejected by his wife. Sophie, Céline and Anne, the three sisters, are now adults, each pursuing their own life. Family ties have been severed. Sophie, the eldest, is married to Pierre, a photographer with whom she’s had two children. The couple is going through a rocky patch. Céline, single, is the only one who takes care of their feeble mother who is in a retirement home. Anne, an architecture student, is having a passionate love affair with Frédéric, one of her teachers. A young man enters Céline’s life. Attractive Sébastien seems determined to charm her. What he reveals to Céline brings the three sisters together again, allows them to accept their past and to perhaps at last dare to truly live.

Free admissions. Drop in, no reservations.

No Man's Land

Hell

Cirkus Columbia

An Episode in the Life of an Iron Picker

Death in Sarajevo

Trailer

Hell

Jean-Michel Basquiat Look At Me!

The exhibition “Look At Me! Portraits and Other Fictions from the ”la Caixa” Contemporary Art Collection” examined portraiture, one of the oldest artistic genres, through a significant number of works of our times. Paintings, photographs, sculptures and videos shaped a labyrinth of gazes that invite spectators to reflect themselves in the social mirror of portraits.

Midnight Stories: COGITO <br> Tevfik Uyar

Midnight Stories: COGITO
Tevfik Uyar

He had imagined the court room as a big place. It wasn’t. It was about the size of his living room, with an elevation at one end, with a dais on it. The judges and the attorneys sat there. Below it was an old wooden rail, worn out in some places. That was his place. There was another seat for his lawyer. At the back, about 20 or 30 chairs were stowed out for the non-existent crowd.

Giacometti in Paris

The second part of exhibition illustrates Alberto Giacometti’s relations with Post-Cubist artists and the Surrealist movement between 1922 and 1935, one of the important sculptures series he created during his first years in Paris, and the critical role he played in the art scene of the period.