Handsworth Songs

  • September 28, 2013 / 13:00
  • September 29, 2013 / 13:00

Director: John Akomfrah
Cast: Pervaiz Khan, Meera Syal, Yvonne Weekes
UK, 58’33’’, 1986, color

English with Turkish subtitles

In October 1985 Britain witnessed a spate of civil disturbances in the Birmingham district of Handsworth and in urban centres of London. These were violent, tragic events, marked by the death of an elderly black woman, Joy Gardner and a white policeman, Keith Blakelock. Handsworth Songs takes as its point of departure these events and the inability of the British media to go beyond its concern with demonizing or rationalizing the rioters and their motives, to break the anxiety-driven loop of morbid responses to the presence of blacks in Britain.

Ecumenopolis: City Without Limits

Ecumenopolis: City Without Limits

Occupy: The Movie

Occupy: The Movie

F*ck for Forest

F*ck for Forest

Handsworth Songs

Handsworth Songs

The Green Wave

The Green Wave

The Network

The Network

The Gate of Heavenly Peace

The Gate of Heavenly Peace

Better This World

Better This World

Tous au Larzac

Tous au Larzac

A Short Walk in the Park<br/>Shorts

A Short Walk in the Park
Shorts

Trailer

Handsworth Songs

5 Films That Inspire Marcel Dzama

5 Films That Inspire Marcel Dzama

Marcel Dzama’s connection to cinema forms the foundation of his entire work, from drawings to video pieces. The five films below stand out as key sources of inspiration that have shaped his narrative style.

From the Age of Reason to the “Tortoise Trainer”

From the Age of Reason to the “Tortoise Trainer”

A Salon exhibition held in the Grand Palais in Paris on May 1, 1906 showcased an Ottoman painting. This was Osman Hamdi Bey’s famous “Tortoise Trainer”. 

Giacometti: Early Works

Giacometti: Early Works

Organized in collaboration with the Giacometti Foundation, Paris, the exhibition explores Giacometti’s prolific life, most of which the artist led in his studio in Montparnasse, through the works of his early period as well his late work, including one unfinished piece. Devoted to Giacometti’s early works, the first part of the exhibition demonstrates the influence of Giovanni Giacometti, the father of the artist and a Swiss Post-Impressionist painter himself, on Giacometti’s output during these years and his role in his son’s development.