Director: İmre Azem
Turkey, 88’, 2011,
color
Ecumenopolis - the name comes from a vision of the urban planner Constantinos Doxiadis: large cities continue to grow until they grow together, forming some day a globally coherent urban space. The filmmaker Imre Azem uses this metaphor of Ecumenopolis to describe the current situation in Istanbul. His film documents the social hardships and environmental problems associated with the rapid and seemingly incessant growth of Istanbul: the violent demolition of housing space against the will of the residents and the residents' relocation to the suburbs as well as the destruction of nature in and around Istanbul. The film points out not only the transformation of the city, but also the dynamics behind it: The growth of Istanbul is pushed forward with urban projects such as the planned construction of a third bridge over the Bosphorus. Despite scientific objection and residents' demanding participation in decision-making, politicians try to put through the project. The film sketches a picture of neoliberal urbanization that surpassed ecological, economic and demographic limits.
Trailer
Pera Museum, in collaboration with Istanbul Foundation for Culture and Arts (İKSV), is one of the main venues for this year’s 15th Istanbul Biennial from 16 September to 12 November 2017. Through the biennial, we will be sharing detailed information about the artists and the artworks.
Byzantine medical art was grounded in the Greco-Roman medicine transmitted by Hippocrates and Galen and new concepts introduced by such physicians as Oribasios of Pergamon, Aetius of Amida, Alexander of Tralles and Paul of Aegina.
1638, the year Louis XIV was born –his second name, Dieudonné, alluding to his God-given status– saw the diffusion of a cult of maternity encouraged by the very devout Anne of Austria, in thanks for the miracle by which she had given birth to an heir to the French throne. Simon François de Tours (1606-1671) painted the Queen in the guise of the Virgin Mary, and the young Louis XIV as the infant Jesus, in the allegorical portrait now in the Bishop’s Palace at Sens.
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