Expanded & Experimental

  • December 9, 2018 / 13:30
  • December 19, 2018 / 19:00

Everything, David Oreilly, 10’ 41’’
Hybrid Forms: New Growth, Andy Lomas, 04’ 41’’
Ghost City, Hugo Arcier, 01’ 32’’
Orogenesis, Boris Labbé, 07’ 35’’
Order from Chaos, Maxime Causeret, 04’ 18’’
Fashion Visuals, Tobias Gremmler, 05’ 30’’
Earthworks - The making of documentary, Semiconductor, 10’ 20’’

Expanded animation is a new turf increasingly being occupied by digital filmmakers. The program includes computer games, installations, interactive/reactive dance performance, new forms of mappings and audiovisual laser installations and impressively demonstrates new and innovative approaches in current digital filmmaking at the interface of art and science—e.g. nature and bio-tech studies, morphogenesis, experiments with architecture, fashion and perception.

Free admissions. Drop in, no reservations.

Narration

Narration

Late Nite

Late Nite

Expanded & Experimental

Expanded & Experimental

Good News from the Skies

Good News from the Skies

Inspired by the exhibition And Now the Good News, which focusing on the relationship between mass media and art, we prepared horoscope readings based on the chapters of the exhibition. Using the popular astrological language inspired by the effects of the movements of celestial bodies on people, these readings with references to the works in the exhibition make fictional future predictions inspired by the horoscope columns that we read in the newspapers with the desire to receive good news about our day. 

The Other Side of New Year's Eve: <br> Pera Film's Alternative New Year's Watchlist

The Other Side of New Year's Eve:
Pera Film's Alternative New Year's Watchlist

As the New Year approaches, Pera Film presents an alternative watchlist of 10 movies, ranging from Hollywood's timeless classics to memorable examples of modern cinema.

Marcel Duchamp’s Bicycle Wheel

Marcel Duchamp’s Bicycle Wheel

In 1998 Ben Jakober and Yannick Vu collaborated on an obvious remake of Marcel Duchamp’s Roue de Bicyclette, his first “readymade” object. Duchamp combined a bicycle wheel, a fork and a stool to create a machine which served no purpose, subverting accepted norms of art.