Mexico, USA, Germany, 2010–2011, HDV, color, 41’
Spanish and English with Turkish subtitles
Mexican filmmaker Fernando Eimbcke and So Yong Kim, representative of the new American independent cinema, send each other eight impressions from their daily routines and family lives. A leaf dancing in a spider's web, sunsets by the sea, photos of Eimbcke's father accompanied by his mother telling the story of his illness, conversations about childhood, pictures of babies and snails and views out of a window in Berlin. A minimalistic, private film.
Giacometti worked nonstop on his sculptures, either from nature or from memory, trying to capture the universal facial expressions.
Mario Prassinos liked Istanbul more than the current Istanbulites of today. It is obvious that you can understand this from the article written by her daughter Catherine Prassinos in the Pera Museum's book on the artist.
Men were the first nudes in Turkish painting. The majority of these paintings were academic studies executed in oil paint; they were part of the education of artists that had finally attained the opportunity to work from the live model. The gender of the models constituted an obstacle in the way of characterizing these paintings as ‘nudes’.
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