Caryn Cline’s Botanicollage Films

For over twenty years, Caryn Cline has handcrafted intimate films that reframe the familiar through experiments in scale and context. Cline coined the term “botanicollage” to describe the technique pioneered by Stan Brakhage (Mothlight, Garden of Earthly Delights) in which flowers, leaves, and other organic matter are fused directly onto celluloid. Once small and overlooked, her weedy subjects demand the full cinematic frame, revealing often astonishingly beautiful qualities. By placing plants in an unfamiliar context, the filmmaker aims to “transform reality utterly”* and, in so doing, invite us to reflect on our own relationships with the botanical world.

All Flesh is Grass

Director: Caryn Cline
USA, 2017, 12', color
no dialogue

All Flesh is Grass experimentally documents a prairie restoration site in rural Missouri.

 

Lost Winds

Director: Caryn Cline 
USA, 2017, 3', color
no dialogue

A site-specific botanicollage film from San Clemente, CA, containing both planned and "chance" animation.

 

Butterfly Disaster

Director: Caryn Cline
USA, 2019, 6', color
no dialogue

Extinction of monarch butterflies in the US became a topic of a film based on manipulation of found footage. The director adjusts archival recordings of butterflies or planes spreading fertilizers through double exposure, scratching, colouring and so don, coming up with a purely visual micro-essay asking who is really the pest and who is the infested in this ecosystem.

Zephyr

Zephyr

Caryn Cline’s Botanicollage Films

Caryn Cline’s Botanicollage Films

Happy Republic Day!

Happy Republic Day!

Celebrating its 10th anniversary this year, Pera Museum invites artist Benoît Hamet to reinterpret key pieces from its collections, casting a humorous eye over ‘historical’ events, both imagined and factual.

Today's Stories: Felis <br> Hande Ortaç

Today's Stories: Felis
Hande Ortaç

Inspired by the exhibition Istanbuls Today, Today's Stories series continues with Hande Ortaç's story "Felis"! This series gathers short stories written by authors encouraged by the photographs in the exhibition.

Midnight Stories: The Red Button <br> Funda Özlem Şeran

Midnight Stories: The Red Button
Funda Özlem Şeran

It was a quiet night in the dessert. Even the mice weren’t around. A few LEDs blinked in the dark, and the sound of a fan filled the infinite void. The conversation cutting the silence seemed to go nowhere.