Buster´s Bedroom

  • October 31, 2013 / 19:00

Director: Rebecca Horn
Cast: Donald Sutherland, Geraldine Chaplin, Valentina Cortese
Germany, Canada, Portugal,1990, renkli, 104’, English with Turkish subtitles

Main character Micha (Amanda Ooms), who is obsessed with Buster Keaton, stays at the sanatorium Nirvana House in Santa Barbara where the actor was once a patient. The residents are eccentric characters that appear to inhabit lives outside of real time. Micha meets Dr. O'Connor (Donald Sutherland), who heads the operation and has a penchant for poisonous snakes. One of the residents is a bitter scotch-drinking ex-actress, Diana (Geraldine Chaplin), who is confined to a wheel chair. Another resident is the former prima donna, Serafina (Valentina Cortese), who nurtures the fantasy of a dramatic love affair. Gradually reality overcomes the fantasy of Nirvana House, which is especially evident in the relationship between Micha and Diana, who develops jealous feelings over Micha's relationship with Dr. O'Connor. Rebecca Horn was fascinated by a celebrity of American silent films Buster Keaton, who she considered a tragic character and not a comedian. She included strait-jacket in several film sequences, with which she refers to Buster Keaton’s personal experience during his stay at the sanatorium, when he was detained in it.

Moon Mirror Journey

Moon Mirror Journey

Buster´s Bedroom

Buster´s Bedroom

Horror Vacui <br> Alejandro Almanza Pereda

Horror Vacui
Alejandro Almanza Pereda

Pera Museum, in collaboration with Istanbul Foundation for Culture and Arts (İKSV), is one of the main venues for this year’s 15th Istanbul Biennial from 16 September to 12 November 2017.

Louis Isadore Kahn (1901-1974)

Louis Isadore Kahn (1901-1974)

Louis Isadore Kahn was born in 1901 to a Jewish family in Pärnu, Russia (today Estonia), far from Philadelphia where he spent his whole life, worked, fell in love, and breathed his last. Kahn family emigrated to America when he was five years old. 

I Copy Therefore I Am

I Copy Therefore I Am

Suggesting alternative models for new social and economic systems, SUPERFLEX works appear before us as energy systems, beverages, sculptures, copies, hypnosis sessions, infrastructure, paintings, plant nurseries, contracts, or specifically designed public spaces.