Director: Catherine Breillat
Cast: İsabelle Huppert, Kool Shen
France, Germany, Belgium, 104’, 2013, color
French with Turkish subtitles
Maud is a powerful, independent producer. Although she has great difficulties after a stroke, she gains back all her body functions after huge effort. She wants to start a new artistic project. When she opens her heart to impressive but cheating Vilko, their involuntary relationship becomes more passionate for Maud, in time. Vilko is indifferent toward Maud. But then, Maud finds herself writing checks under the name “business enterprise” for her desires.
Advisory warning: Suitable for adult audiences only. Contains scenes of nudity and violence which some audiences may find disturbing.
Trailer
A series of small and rather similar nudes Bedri Rahmi Eyüboğlu and Eren Eyüboğlu produced in the early 1930s almost resemble a ‘visual conversation’ that focus on a pictorial search. It is also possible to find the visual reflections of this earlier search in the synthesis Bedri Rahmi Eyüboğlu reached with his stylistic abstractions in the 1950s.
A Salon exhibition held in the Grand Palais in Paris on May 1, 1906 showcased an Ottoman painting. This was Osman Hamdi Bey’s famous “Tortoise Trainer”.
Giacometti was selected for three important retrospectives at the New York Museum of Modern Art, the Tate Gallery in London and the Louisiana Museum of Art in Denmark, all of which were a great success.
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