Director: Payal Kapadia
France, India, 2021, 96', DCP, color
Hindi, Bengali with Turkish, English subtitles
L, a university student in India, writes letters to her estranged lover, while he is away. Through these letters, we get a glimpse into the drastic changes taking place around her. Merging reality with fiction, dreams, memories, fantasies and anxieties, an amorphous narrative unfolds. By turns gritty and lyrical, Payal Kapadia’s A Night of Knowing Nothing (2021) is a penetrating look at the politics of education—of film education specifically—as India’s once thriving liberal public sphere yields to sectarian division and chauvinism. On a background of state-sanctioned violence and intimidation, what stands out is Kapadia’s quiet insistence on the necessity of private reflection. Resistance demands fiction, somehow, even as the failure of news media and other democratic institutions leaves no ground for a non-partisan artistic stance.
Suggesting alternative models for new social and economic systems, SUPERFLEX works appear before us as energy systems, beverages, sculptures, copies, hypnosis sessions, infrastructure, paintings, plant nurseries, contracts, or specifically designed public spaces.
Selected from the Suna and İnan Kıraç Foundation Photography Collection, we present the landscapes and places in Istanbul photographs, dating from the 1850s to the 1980s, together with their present-day views!
Coffee was served with much splendor at the harems of the Ottoman palace and mansions. First, sweets (usually jam) was served on silverware, followed by coffee serving. The coffee jug would be placed in a sitil (brazier), which had three chains on its sides for carrying, had cinders in the middle, and was made of tombac, silver or brass. The sitil had a satin or silk cover embroidered with silver thread, tinsel, sequin or even pearls and diamonds.
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