41st Istanbul Film Festival

April 8 - 19, 2022

Pera Film is hosting 41th Istanbul Film Festival! As part of the festival, the 17th Istanbul Biennial’s selection titled Rather Than a Great Tree, Laden With Sweet, Ripe Fruit meets the audience at the Pera Museum Auditorium.

Rethinking the very purposes of contemporary art the 17th Istanbul Biennial questions: what should a biennial do, in such febrile times? What role can it play in nourishing and fertilising public spheres desensitised by torrential news streams of violence and scandal? Amidst crises and dysfunction, cinema is due for the same kind of reckoning. A more editorial kind of cinema is needed—moving images that inform, educate, and challenge popular wisdom. Selected by co-curators David Teh, Ute Meta Bauer, and Amar Kanwar, the biennial’s contribution to the 41st Istanbul Film Festival opens a window for seeing and hearing again; for feeling, thinking, and speaking in new ways. 

Tickets will be available without any service fees on the Passo website, Passo Mobile and at IKSV main box office every day between 10.00 and 18.00 except Sundays.

April 9

11:00 Elemental Frequencies

13:30 Cuadecuc, Vampir

16:00 A Night of Knowing Nothing

April 10

13:30 A Night of Knowing Nothing

16:00 Cuadecuc, Vampir

April 16

13:30 Elemental Frequencies

16:00 Cuadecuc, Vampir

April 17

13:30 Elemental Frequencies

16:00 A Night of Knowing Nothing

A Night of Knowing Nothing

A Night of Knowing Nothing

Cuadecuc, Vampir

Cuadecuc, Vampir

Elemental Frequencies

Elemental Frequencies

Memory of the Region

Memory of the Region

Objects also bear the memory of the geography to which they relate. Ceramics, with soil as their primary material, are directly linked to the land where they are produced: forging a direct relationship with earth, ceramics bear the memory of the soil where they come from.

From Cypresses to Turkish Landscapes

From Cypresses to Turkish Landscapes

Among the most interesting themes in the oeuvre of Prassinos are cypresses, trees, and Turkish landscapes. The cypress woods in Üsküdar he saw every time he stepped out on the terrace of their house in İstanbul or the trees in Petits Champs must have been strong images of childhood for Prassinos. 

A Photographer’s Biography Ali Sami Aközer

A Photographer’s Biography Ali Sami Aközer

Ali Sami is born in Rusçuk in 1866, and moves to İstanbul. Because his family is registered in the Beylerbeyi quarter of Üsküdar, Ali Sami is also called Üsküdarlı Ali Sami. He graduates from the Mühendishane-i Berri-i Hümayun in 1866 and becomes a teacher of painting and photography at the school.