Pera Film presents its latest film program digital, curated with the exhibition Calculations and Coincidences.
The exhibition highlights the works of pioneers in algorithmic art —Vera Molnár, Dóra Maurer, and Gizella Rákóczy— with a special focus on Molnár's pioneering contributions to computer art. Molnár began incorporating computers into her creative process in 1968, using them as tools to generate images that pushed the boundaries of science and art.
That same year, cinema released 2001: A Space Odyssey, a seminal work of the science fiction genre. Directed by visionary filmmaker Stanley Kubrick, the film examined the profound implications of technology on humanity and the future, revolutionizing cinematic language and expanding the limits of storytelling.
By 1973, director Rainer Werner Fassbinder brought his vision of the future to German television with the two-part mini-series World on a Wire. Offering a surreal, satirical take on virtual reality and the human condition, it presented a striking contrast to traditional depictions of futuristic worlds. Later, in the 1980s, Ridley Scott's Blade Runner redefined science fiction cinema with its innovative use of technology and complex exploration of identity, laying the groundwork for decades of cinematic influence.
These three science fiction classics, which reflect the growing influence of technology in cinema when Molnár began her computer-based art, will be screened from November 22 to December 22 at the Pera Museum Auditorium. The program also features the documentary Vera Molnár, plaisir de géométrie, offering an in-depth look at Molnár's artistic process, and the short documentary Gizella Rákóczy: Exploring the Depth, focused on Rákóczy's explorations in art.
Film screenings within this program are accessible with a discounted museum entrance ticket. Tickets can be purchased from Biletix or the reception of Pera Museum. Per legal regulations, all screenings are restricted to persons over 18 years of age unless stated otherwise.
November 22
19:00 Vera Molnár, plaisir de géométrie
Gizella Rákóczy: Exploring the Depth
November 23
15:00 World on a Wire
November 27
19:00 2001: A Space Odyssey
December 1
15:00 Vera Molnár, plaisir de géométrie
Gizella Rákóczy: Exploring the Depth
December 11
19:00 Blade Runner
December 13
18:30 World on a Wire
December 21
15:00 2001: A Space Odyssey
December 22
15:00 Blade Runner
November 22
19:00 Vera Molnár, plaisir de géométrie
Gizella Rákóczy: Exploring the Depth
November 23
15:00 World on a Wire
November 27
19:00 2001: A Space Odyssey
December 1
15:00 Vera Molnár, plaisir de géométrie
Gizella Rákóczy: Exploring the Depth
December 11
19:00 Blade Runner
December 13
18:30 World on a Wire
December 21
15:00 2001: A Space Odyssey
December 22
15:00 Blade Runner
Calculations and Coincidences brings together three pioneers of algorithmic art; Vera Molnár, Dóra Maurer and Gizella Rákóczy through their works from the Central Bank of Hungary Collection. The exhibition focuses primarily on the profound influence of Molnar, who was unquestionably among the most significant names in computer art, while tracing how the artistic explorations of Maurer and Rákóczy have expanded the boundaries of abstraction through the integration of algorithms and mathematics.
He had imagined the court room as a big place. It wasn’t. It was about the size of his living room, with an elevation at one end, with a dais on it. The judges and the attorneys sat there. Below it was an old wooden rail, worn out in some places. That was his place. There was another seat for his lawyer. At the back, about 20 or 30 chairs were stowed out for the non-existent crowd.
Organized in collaboration with the Giacometti Foundation, Paris, the exhibition explores Giacometti’s prolific life, most of which the artist led in his studio in Montparnasse, through the works of his early period as well his late work, including one unfinished piece. Devoted to Giacometti’s early works, the first part of the exhibition demonstrates the influence of Giovanni Giacometti, the father of the artist and a Swiss Post-Impressionist painter himself, on Giacometti’s output during these years and his role in his son’s development.
A firm believer in the idea that a collection needs to be upheld at least by four generations and comparing this continuity to a relay race, Nahit Kabakcı began creating the Huma Kabakcı Collection from the 1980s onwards. Today, the collection can be considered one of the most important and outstanding examples among the rare, consciously created, and long-lasting ones of its kind in Turkey.
Tuesday - Saturday 10:00 - 19:00
Friday 10:00 - 22:00
Sunday 12:00 - 18:00
The museum is closed on Mondays.
On Wednesdays, the students can
visit the museum free of admission.
Full ticket: 200 TL
Discounted: 100 TL
Groups: 150 TL (minimum 10 people)