Pera Film, in collaboration with Altyazı Cinema Magazine and curated by Aslı Ildır, presents the film program Cinéma Vérité: The Truth of the Camera.
Cinéma Vérité, the same as Soviet filmmaker Dziga Vertov's term Kino Pravda, is a kind of "truth of cinema experiment" that first emerged with Jean Rouch and Edgar Morin's Chronicle of a Summer. This movement, in which the presence of the camera is felt and intervenes and changes what happens in the frame, and in which the director interacts with the participants and asks them questions, aims to question the reality that the camera constructs and represents, or the "truth of cinema". The selection includes both classic and later examples of the movement, with films from the US and France, as well as Mexico and Chile.
Film screenings within this program are accessible with a discounted museum entrance ticket. Tickets can be obtained from Biletix or the reception of Pera Museum. In accordance with legal regulations, all screenings are restricted to persons over 18 years of age unless stated otherwise.
December 15
20:00 Chronicle of a Summer
December 16
16:00 Unfinished Diary
December 17
15:00 The Lovely Month of May
December 20
19:00 Chronicle of a Summer
December 23
16:00 Not a Love Story: A Film About Pornography
December 30
16:00 The Devil Never Sleeps
January 3
19:00 Unfinished Diary
January 5
20:00 Not a Love Story: A Film About Pornography
January 6
16:00 The Lovely Month of May
January 10
19:00 The Devil Never Sleeps
December 15
20:00 Chronicle of a Summer
December 16
16:00 Unfinished Diary
December 17
15:00 The Lovely Month of May
December 20
19:00 Chronicle of a Summer
December 23
16:00 Not a Love Story: A Film About Pornography
December 30
16:00 The Devil Never Sleeps
January 3
19:00 Unfinished Diary
January 5
20:00 Not a Love Story: A Film About Pornography
January 6
16:00 The Lovely Month of May
January 10
19:00 The Devil Never Sleeps
Pera Film, within the scope of the Cinéma Vérité: The Truth of the Camera film program, is conducting an conversation with documentary filmmaker and academician Can Candan, moderated by film critic Aslı Ildır.
Nam June Paik was video art’s pioneer (1932 –2006). It is interesting that while Warhol and Nameth were experimenting with psychedelic happenings that combined rock, film and performance, the video art pioneers Nam June Paik, Stephen Beck, Eric Siegel and Steina Vasulka were researching in a similar direction.
Inspired by the exhibition And Now the Good News, which focusing on the relationship between mass media and art, we prepared horoscope readings based on the chapters of the exhibition. Using the popular astrological language inspired by the effects of the movements of celestial bodies on people, these readings with references to the works in the exhibition make fictional future predictions inspired by the horoscope columns that we read in the newspapers with the desire to receive good news about our day.
Istanbul’s Seaside Leisure: Nostalgia from Sea Baths to Beaches exhibition brought together photographs, magazines, comics, objects, and books from various private and institutional collections, and told a nostalgic story while also addressing the change and socialization of the norms of how Istanbulites used their free time. Istanbul’s Seaside Leisure was a documentary testament of the radical transformations in the Republic’s lifestyle.
Tuesday - Saturday 10:00 - 19:00
Friday 10:00 - 22:00
Sunday 12:00 - 18:00
The museum is closed on Mondays.
On Wednesdays, the students can
visit the museum free of admission.
Full ticket: 300 TL
Discounted: 150 TL
Groups: 200 TL (minimum 10 people)
