Bauhaus: Beyond a School

October 14 - November 2, 2018

In this program presented in the scope of the 4th Istanbul Design Biennial organized by the Istanbul Foundation for Culture and Arts with the theme 
A School of Schools, Pera Film tackles the creative relationship Bauhaus had with different disciplines while focusing on the generative works of artists and architects.
 
This program’s screenings are free of admissions. Drop in, no reservations.
 
 
  in collaboration

#BeyondASchool

 

October 14

18:00 Bauhaus: Media Art

October 17

17:00 Bauhaus: Model and Myth

November 2

19:00 Bauhaus: Model and Myth

21:00 Bauhaus: Media Art

Bauhaus: Model and Myth

Bauhaus: Model and Myth

Bauhaus: Media Art

Bauhaus: Media Art

4th Istanbul Design Biennial

Pera Museum hosted the 4th Istanbul Design Biennial, organized by Istanbul Foundation for Culture and Arts (İKSV). For the 4th Istanbul Design Biennial, organised by the Istanbul Foundation for Culture and Arts (İKSV) and sponsored by VitrA, curator Jan Boelen teamed up with Vera Sacchetti as Associate Curator and Nadine Botha as Assistant Curator.

4th Istanbul Design Biennial

Midnight Stories: COGITO <br> Tevfik Uyar

Midnight Stories: COGITO
Tevfik Uyar

He had imagined the court room as a big place. It wasn’t. It was about the size of his living room, with an elevation at one end, with a dais on it. The judges and the attorneys sat there. Below it was an old wooden rail, worn out in some places. That was his place. There was another seat for his lawyer. At the back, about 20 or 30 chairs were stowed out for the non-existent crowd.

Giacometti in Paris

Giacometti in Paris

The second part of exhibition illustrates Alberto Giacometti’s relations with Post-Cubist artists and the Surrealist movement between 1922 and 1935, one of the important sculptures series he created during his first years in Paris, and the critical role he played in the art scene of the period.

Modernity Building the Modern / Reshaping the Modern

Modernity Building the Modern / Reshaping the Modern

A firm believer in the idea that a collection needs to be upheld at least by four generations and comparing this continuity to a relay race, Nahit Kabakcı began creating the Huma Kabakcı Collection from the 1980s onwards. Today, the collection can be considered one of the most important and outstanding examples among the rare, consciously created, and long-lasting ones of its kind in Turkey.