38th Istanbul Film Festival
Cinemania

April 5 - 16, 2019

Pera Film is hosting 38th Istanbul Film Festival! As part of the festival Pera Film will be screening the Documentary Time, National Short Film Competition, National Documentary Competition and the program Cinemania, as well as other screenings.

Originated from the love for the art of filmmaking, this section is constructed on “the passion for cinema,” “cinephilia,” and “Cinemania.” A portmanteau section, “Cinemania” comprises the highlights, the landmarks and milestones, the unforgettables of the world of cinema: masterpieces of a career, in memoriam or in celebration; restored classics, lost films, cult movies, films on films, and surprises…

Check out the details here.

April 5

19:00 The Eyes of Orson Welles

April 6

13:30 Goodbye

16:00 Watchmen of Dawn

The Eyes of Orson Welles

The Eyes of Orson Welles

Goodbye

Goodbye

Watchmen of Dawn

Watchmen of Dawn

Program Trailer

38th Istanbul Film Festival
Cinemania

Originated from the love for the art of filmmaking, this section is constructed on “the passion for cinema,” “cinephilia,” and “Cinemania.”

Paris Without End (1959-1965)

Paris Without End (1959-1965)

In the 60s, Alberto Giacometti paid homage to Paris, the city where he lived, by drawing its streets, cafés, and more private places like his studio and the apartment of his wife, Annette. These drawings would make up his last book, Paris sans fin (Paris Without End). 

Soothsayer Serenades I Serenades to the Sun by Kornelia Binicewicz

Soothsayer Serenades I Serenades to the Sun by Kornelia Binicewicz

Today we are thrilled to present the third playlist of Amrita Hepi’s Soothsayer Serenades series as part of the Notes for Tomorrow exhibition. The playlist titled Serenades to the Sun is presented by Kornelia Binicewiczon Pera Museum’s Spotify account.

The First Nudes

The First Nudes

Men were the first nudes in Turkish painting. The majority of these paintings were academic studies executed in oil paint; they were part of the education of artists that had finally attained the opportunity to work from the live model. The gender of the models constituted an obstacle in the way of characterizing these paintings as ‘nudes’.