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Osman Hamdi Bey and the Americans

Archaeology | Diplomacy | Art

October 15, 2011 - January 8, 2012

Based on the intersecting lives of painter, archaeologist and museologist Osman Hamdi Bey, American archaeologist and photographer John Henry Haynes, as well as Prof. Hermann Vollrath Hilprech, the exhibition focused on the first excavations American archaeologists conducted in Ottoman lands -Assos and Nippur- and the diplomatic relations between the two countries.

The exhibition, curated by Prof. Renata Holod and Prof. Robert Ousterhout from the University of Pennsylvania, showcased for the first time a rich selection of paintings by Osman Hamdi Bey, archaeological photographs and drawings from the 19th century, letters, travel journals, and archaeological artifacts. This unique selection was on loan from the University of Pennsylvania, Fine Arts Museum Boston, İstanbul Archaeological Museums, İstanbul Museum of Painting and Sculpture, as well as private collections. Apart from his lesser-known paintings, two unknown works of Osman Hamdi Bey discovered at the Penn Museum were also introduced to visitors.

Exhibition Catalogue

Osman Hamdi Bey and the Americans

Osman Hamdi Bey and the Americans

Based on the intersecting lives of painter, archaeologist, and museologist Osman Hamdi Bey, American archaeologist and photographer John Henry Haynes, as well as Prof. Hermann Vollrath Hilprecht,...

Video

Memory of the Region

Memory of the Region

Objects also bear the memory of the geography to which they relate. Ceramics, with soil as their primary material, are directly linked to the land where they are produced: forging a direct relationship with earth, ceramics bear the memory of the soil where they come from.

From Cypresses to Turkish Landscapes

From Cypresses to Turkish Landscapes

Among the most interesting themes in the oeuvre of Prassinos are cypresses, trees, and Turkish landscapes. The cypress woods in Üsküdar he saw every time he stepped out on the terrace of their house in İstanbul or the trees in Petits Champs must have been strong images of childhood for Prassinos. 

Mosques in the 18th and 19th Century Paintings

Mosques in the 18th and 19th Century Paintings

In the works of western painters, we encounter mosques as the primary architectural elements that reflect the identity of the city of Istanbul. Often we can recognize the depicted landscape as Istanbul simply from the mosques.