Performance
November 24 - January 13, 2021
Focusing on contemporary approaches to miniature painting, the exhibition Miniature 2.0: Miniature in Contemporary Art brings together the works of 14 artists from different countries such as Turkey, Iran, Pakistan, Saudi Arabia and Azerbaijan. The artists do not treat miniature solely as a historical object, they emphasize its theoretical potential as a contemporary art form. Exhibiting her works May 1, Adams and Eves, Beauty and the Beast (Lion and Gazelle), Exemplary (İbretnüma) and Falname, CANAN delivers a performance based on her work Falname, which consists of 71 miniatures inspired by the characters in Islamic mythology. In her Falname performance, CANAN imagines fortune-telling as a participatory performance realm. The artist transforms fortune-telling as a ritual into a participatory and game-like experience in her Falname performances which she delivers in verbal engagement with the audience.
Commenting on her performance series, CANAN says: “The fortune teller draws and lays down cards according to various spreads at any time while abiding by the fortune-telling ritual, and can come up with an interpretation/prediction for the person seeking answers by looking at the images on the cards. The practice of interpreting, feeling and analyzing a work of art is actually quite similar to fortune telling, in that an artwork evokes a sense of hope in the audience as they make out a meaning by looking at the shapes and colors. Our minds construct the present using our past experiences and dreams of the future. We can make our dreams come true when we embrace a positive outlook by not drowning in the negative experiences of the past and not getting fixated on our concerns for the future.”
The Falname series, reproduced as a limited-edition tarot deck, is offered for sale at Pera Museum in parallel with the performances.
Visitors can attend the performance by purchasing a Pera Museum entrance ticket. The performance is in Turkish. Participation is limited; reservation is required.
Temporary Exhibition
Focusing on contemporary approaches to miniature painting, the exhibition brought together the works of 14 artists from different countries such as Turkey, Iran, Pakistan, Saudi Arabia and Azerbaijan.
Click for more information about the exhibition.
A Salon exhibition held in the Grand Palais in Paris on May 1, 1906 showcased an Ottoman painting. This was Osman Hamdi Bey’s famous “Tortoise Trainer”.
Organized in collaboration with the Giacometti Foundation, Paris, the exhibition explores Giacometti’s prolific life, most of which the artist led in his studio in Montparnasse, through the works of his early period as well his late work, including one unfinished piece. Devoted to Giacometti’s early works, the first part of the exhibition demonstrates the influence of Giovanni Giacometti, the father of the artist and a Swiss Post-Impressionist painter himself, on Giacometti’s output during these years and his role in his son’s development.
Men were the first nudes in Turkish painting. The majority of these paintings were academic studies executed in oil paint; they were part of the education of artists that had finally attained the opportunity to work from the live model. The gender of the models constituted an obstacle in the way of characterizing these paintings as ‘nudes’.
Tuesday - Saturday 10:00 - 19:00
Friday 10:00 - 22:00
Sunday 12:00 - 18:00
The museum is closed on Mondays.
On Wednesdays, the students can
visit the museum free of admission.
Full ticket: 300 TL
Discounted: 150 TL
Groups: 200 TL (minimum 10 people)
