}

Mehmed The Hunter’s Imperial Procession

Paintings commissioned by the 17th century Swedish Ambassador Claes Rålamb

June 1 - October 1, 2006

Sultan Mehmed IV, remembered as Mehmed the Hunter owing to his passion for hunting, departed for Edirne, in 1657 on a hunting expedition. The large entourage that accompanied him was a display of imperial majesty that has been preserved for history as a visual document in the form of a series of oil paintings commissioned by Claes Rålamb, then the Swedish Ambassador to Istanbul.

This almost cinematographic record consisting of a total of twenty paintings is preserved at the Nordiska Museet, Sweden. Sixteen of the paintings that are part of this visual register returned to Istanbul nearly three hundred and fifty years after this event as the guests of the Pera Museum.

Exhibition Catalogue

Mehmed The Hunter’s Imperial Procession

Mehmed The Hunter’s Imperial Procession

Sultan Mehmed IV, remembered as “Mehmed the Hunter” because of his passion for hunting, departed for Edirne in 1657 on a hunting expedition with a large entourage in a display of imperial majesty...

Midnight Horror Stories: The Landlord <br> Hakan Bıçakcı

Midnight Horror Stories: The Landlord
Hakan Bıçakcı

Three people sleeping side by side. On the uncomfortable seats of the stuffy airplane in the air. Three friends. I’m the friend in the window seat. The other two are a couple, Emre and Melisa. I’m alone, they are together. And another difference. I’ve only closed my eyes. They are asleep.

Geography

Geography

Pera Museum’s Cold Front from the Balkans exhibition curated by Ali Akay and Alenka Gregorič brings together contemporary artists from Albania, Bosnia and Herzegovina, Bulgaria, Croatia, Kosovo, Macedonia, Montenegro, Romania, Serbia and Slovenia.

Return from Vienna

Return from Vienna

Józef Brandt harboured a fascination for the history of 17th century Poland, and his favourite themes included ballistic scenes and genre scenes before and after the battle proper –all and sundry marches, returns, supply trains, billets and encampments, patrols, and similar motifs illustrating the drudgery of warfare outside of its culminating moments.