}

Mehmed The Hunter’s Imperial Procession

Paintings commissioned by the 17th century Swedish Ambassador Claes Rålamb

June 1 - October 1, 2006

Sultan Mehmed IV, remembered as Mehmed the Hunter owing to his passion for hunting, departed for Edirne, in 1657 on a hunting expedition. The large entourage that accompanied him was a display of imperial majesty that has been preserved for history as a visual document in the form of a series of oil paintings commissioned by Claes Rålamb, then the Swedish Ambassador to Istanbul.

This almost cinematographic record consisting of a total of twenty paintings is preserved at the Nordiska Museet, Sweden. Sixteen of the paintings that are part of this visual register returned to Istanbul nearly three hundred and fifty years after this event as the guests of the Pera Museum.

Exhibition Catalogue

Mehmed The Hunter’s Imperial Procession

Mehmed The Hunter’s Imperial Procession

Sultan Mehmed IV, remembered as “Mehmed the Hunter” because of his passion for hunting, departed for Edirne in 1657 on a hunting expedition with a large entourage in a display of imperial majesty...

The Search for Form

The Search for Form

A series of small and rather similar nudes Bedri Rahmi Eyüboğlu and Eren Eyüboğlu produced in the early 1930s almost resemble a ‘visual conversation’ that focus on a pictorial search. It is also possible to find the visual reflections of this earlier search in the synthesis Bedri Rahmi Eyüboğlu reached with his stylistic abstractions in the 1950s.

Marcel Duchamp’s Bicycle Wheel

Marcel Duchamp’s Bicycle Wheel

In 1998 Ben Jakober and Yannick Vu collaborated on an obvious remake of Marcel Duchamp’s Roue de Bicyclette, his first “readymade” object. Duchamp combined a bicycle wheel, a fork and a stool to create a machine which served no purpose, subverting accepted norms of art. 

Midnight Horror Stories: <br> Witches’ Sun <br> Mehmet Berk Yaltırık

Midnight Horror Stories:
Witches’ Sun
Mehmet Berk Yaltırık

I walk over rocks hot as iron under the September sun. I can make out a few lines in the distance, and a few cracked rocks, but apart from those, not a single tree, not one plant