}

Collage Décollage

Doğançay / Villeglé

May 3 - July 13, 2008

Although from very different origins and cultures, Dogançay (born in Istanbul, Turkey, in 1929) and Villeglé (born in Quimper, France, in 1926) share the same interest in the city. Whereas Dogançay soon felt the need to travel and find out what was happening elsewhere, Villeglé moved to Paris and henceforth participated in the collective “Nouveau Réalisme” adventure. Although Dogançay’s art was originally based primarily on conventional pictorial practices –almost exclusively gouaches and watercolors, standing as a testimony to his numerous journeys– since the mid-1960s he has taken his themes uniquely from images and signs seen on the walls of the cities he has traversed. As of 1949, Villeglé’s art has been based on collecting a world of ready-made “paintings” that are offered to him by “anonymously torn posters” that he saw when exploring the city.

Collage [gluing, pasting] in the first case, décollage [tearing down, unpeeling] in the second: these two practices characterize two sets of attitudes that, if not parallel, converge, and summon up a world of colorful icons founded on the theme of the city or images, absorbed into uncompromisingly abstract compositions. The idea of bringing together two leading artists of their generation in the same exhibition aims to reveal to viewers the similarities, as well as the differences between Dogançay and Villeglé, whose works anticipate, in their own way, the arrival of “graffiti” art as part of the same aesthetic impulse.

Curator: Philippe Piguet

Exhibition Catalogue

Collage Décollage

Collage Décollage

Although from very different origins and cultures, Doğançay (born in Istanbul, Turkey, in 1929) and Villeglé (born in Quimper, France, in 1926) share the same interest in the city. Whereas the...

Stefan Hablützel Look At Me!

Stefan Hablützel Look At Me!

The exhibition Look at Me! Portraits and Other Fictions from the ”la Caixa” Contemporary Art Collection examines portraiture, one of the oldest artistic genres, through a significant number of works of our times. Through the exhibition we will be sharing about the artists and sections in “Look At Me!”.

Cameria (Mihrimah Sultan)

Cameria (Mihrimah Sultan)

Based on similar examples by the European painters in various collections, this work is one of the portraits of Mihrimah Sultan, who was depicted rather often in the 16th century.

Venuses Throughout History

Venuses Throughout History

José Sancho does not conceal the voluptuousness of his female torsos; he highlights it. These torsos are symmetrical from front, but on the other hand, from the side, the juxtaposition of concave and convex forms creates dynamism.