May 7 - July 20, 2014
Stephen Chambers: The Big Country and Other Stories exhibition, curated by Edith Devaney, Curator of Contemporary Projects at the Royal Academy of Arts, London, presented a survey of Stephen Chambers’ painting and graphic works, shown alongside his vast multi-part print, The Big Country.
This selection sought to explore the origins of The Big Country (2012), demonstrating that its development is firmly rooted in the artist’s past practice and deeply indebted to the European tradition of art. The sense of a story being told is a feature of many of Chambers’ works, and writings are often a stimulus for this, as seen in Chambers’ Flemish Proverbs series, which are also exhibited.
Inspired by the landscape and scale of the American Western film The Big Country (1958), Chambers’ immense work explores a myriad of fictional encounters between real and imagined historical figures. The notion of the journey and discovery of new lands has here expanded into a depiction of the five continents and the points of departure from one continent to another, raising a fascinating take on the perils and challenges of migration.
Stephen Chambers is primarily a painter; however printmaking has always formed a significant part of his work. He has noted in the past that prints produced by artists whose main discipline is not printmaking, can often be the most compelling. For such artists, print-making offers another element of expression and provides an opportunity to experiment, a notion which is borne out in Chambers’ finished monumental work.
The exhibition was organized by the Royal Academy of Arts, London, with the Pera Museum. Contribution by British Consulate-General, Istanbul and British Council.
gallery wall paint sponsor
Organised by the Royal Academy of Arts, London, in collaboration with the Pera Museum, Stephen Chambers: The Big Country and Other Stories exhibition presented a journey to the artist’s...
1638, the year Louis XIV was born –his second name, Dieudonné, alluding to his God-given status– saw the diffusion of a cult of maternity encouraged by the very devout Anne of Austria, in thanks for the miracle by which she had given birth to an heir to the French throne. Simon François de Tours (1606-1671) painted the Queen in the guise of the Virgin Mary, and the young Louis XIV as the infant Jesus, in the allegorical portrait now in the Bishop’s Palace at Sens.
Tuesday - Saturday 10:00 - 19:00
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Sunday 12:00 - 18:00
The museum is closed on Mondays.
On Wednesdays, the students can
visit the museum free of admission.
Full ticket: 80 TL
Discounted: 40 TL
Groups: 60 TL (minimum 10 people)
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