Talk
May 7, 2014 / 19:00
Stephen Chambers will be in conversation with Edith Devaney,Curator of Contemporary Projects at the Royal Academy of Arts, London.
Suna and İnan Kıraç Foundation Pera Museum is pleased to announce its new spring exhibition Stephen Chambers: The Big Country and Other Stories. This exhibition, curated by Edith Devaney, Curator of Contemporary Projects at the Royal Academy of Arts, London, presents a survey of Stephen Chambers’ painting and graphic works, shown alongside his vast multi-part print, The Big Country.
Stephen Chambers studied at Winchester School of Art from 1978 to 1979 and then at St Martin's School of Art, London from 1979 to 1982. He graduated with a Master’s degree from the Chelsea School of Art in 1983. Chambers won many scholarships and awards, including a Rome Scholarship, a Fellowship at Winchester School of Art, and a Mark Rothko Memorial Trust Travelling Award. He has collaborated on three dance projects with the Royal Ballet: Sleeping with Audrey (1996), Room of Cooks (1997, 1999) and This House Will Burn (2001). He was elected a Royal Academician in 2005. The artist says of his work, 'it speaks of states of mind, behaviours and sensibilities.' Critics have praised Chambers’ use of colour and his painterly exploration of his medium.
The exhibition is organised by the Royal Academy of Arts, London, with the Pera Museum. Contribution by British Consulate-General, Istanbul and British Council.
This event will take place in the exhibition gallery. English with Turkish consecutive translation.
Free of admissions.
Stephen Chambers RA © Photography by Richard Dawson
Temporary Exhibition
Stephen Chambers: The Big Country and Other Stories exhibition, curated by Edith Devaney, Curator of Contemporary Projects at the Royal Academy of Arts, London, presented a survey of Stephen Chambers’ painting and graphic works, shown alongside his vast multi-part print, The Big Country.
Click for more information about the exhibition.
Félix Ziem is accepted as one of the well-known artists of the romantic landscape painting, and has been followed closely by art lovers and collectors of all periods since. He had a profound influence on generations of artists after him, and was the first artist whose works were acquired by the Louvre while he was still alive.
Men were the first nudes in Turkish painting. The majority of these paintings were academic studies executed in oil paint; they were part of the education of artists that had finally attained the opportunity to work from the live model. The gender of the models constituted an obstacle in the way of characterizing these paintings as ‘nudes’.
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