Hybrid Identities
Esra Aliçavuşoğlu, Huma Kabakcı, Erinç Seymen,
Güneş Terkol


March 2, 2016 / 19:00

As part of the exhibition Memory and Continuity: A Selection from the Huma Kabakcı Collection, Pera Museum is presenting the talk Hybrid Identities on Wednesday March 2nd at 19:00. Moderated by co-curator Esra Aliçavuşoğlu, the talk will be accompanied by co-curator and collector Huma Kabakcı, and artists Erinç Seymen and Güneş Terkol.

Identity is one of the foremost concepts that contemporary artists reflect upon and analyze; it also constitutes one of the main pillars of the Huma Kabakcı Collection, particularly in relation to the choices of the second-generation collector. Addressing geographical and cultural identity, the ethnic ‘other’, gender and cultural codes as a problematic, this discussion will also analyze the notion of identities through the perspectives of a collector, an art historian, and two artists.

Free of admissions, limited seats.

Temporary Exhibition

Memory and Continuity

Collecting works of art in a conscious and systematic manner dates as far back as the Hellenistic era… Having undergone various changes and transformations throughout the different stages of both the history of civilization and art, collecting inherently brings to mind a number of different concepts, passion, the urge to possess, prestige, aesthetic concern, and ideology. 

Memory and Continuity

Midnight Horror Stories: The Landlord <br> Hakan Bıçakcı

Midnight Horror Stories: The Landlord
Hakan Bıçakcı

Three people sleeping side by side. On the uncomfortable seats of the stuffy airplane in the air. Three friends. I’m the friend in the window seat. The other two are a couple, Emre and Melisa. I’m alone, they are together. And another difference. I’ve only closed my eyes. They are asleep.

Today's Stories: Coal <br>Pelin Buzluk

Today's Stories: Coal
Pelin Buzluk

Inspired by the exhibition Istanbuls Today, Today's Stories series starts with Pelin Buzluk's story "Coal"! TThis series gathers short stories written by authors encouraged by the photographs in the exhibition.

Midnight Stories: The Soul <br> Aşkın Güngör

Midnight Stories: The Soul
Aşkın Güngör

The wind blows, rubbing against my legs made of layers of metal and wires, swaying the leaves of grass that have shot up from the cracks in the tarmac, and going off to the windows that look like the eyes of dead children in the wrecked buildings that seem to be everywhere as far as the eye can see.