}

Memory and Continuity

A Selection from the Huma Kabakcı Collection

February 24 - May 8, 2016

Collecting works of art in a conscious and systematic manner dates as far back as the Hellenistic era… Having undergone various changes and transformations throughout the different stages of both the history of civilization and art, collecting inherently brings to mind a number of different concepts, passion, the urge to possess, prestige, aesthetic concern, and ideology. In the history of collecting, all these concepts compete against one another to forge ahead…

The Huma Kabakcı Collection, which Nahit Kabakcı began to put together as of the 1980s, can be considered as one of the most important examples of the limited number of consciously created and well-sustained collections in Turkey. While based on certain logic, development, and subjectivity of the Huma Kabakcı Collection, the exhibition co-curated by Huma Kabakcı and Esra Aliçavuşoğlu also aimed to illustrate the collection’s periodically renewed and expanded structure through a certain art historical objectivity. Preserved and upheld by two consecutive generations, the collection’s affiliated and divergent points were brought to fore and the exhibition was shaped in this thematic manner. Apart from highlighting the contributions two different generations made to the collection, this particular selection also sought to underline the inner consistence and transformation of its entirety.

Artists: Etel Adnan, Yüksel Arslan, Tomur Atagök, David Bailey, Ferruh Başağa, Aliye Berger, Sabri Berkel, Joseph Beuys, Canan Dağdelen, Nezaket Ekici, Max Ernst, Ali Arif Ersen, Özlem Günyol & Mustafa Kunt, Selma Gürbüz, Ramın Haerizadeh, Susan Hefuna, Gabriele Heidecker, Damien Hirst, David Hockney, Ilya Kabakov, İhsan Cemal Karaburçak, Heinz Mack, Basım Magdy, Almagül Menlbayeva, Murat Morova, Edin Numankadic, Mübin Orhon, Ardan Özmenoğlu, Güçlü Öztekin, Panamarenko, Shahpour Pouyan, Robert Rauschenberg, Meriç Algün, Ringborg, Sarkis, Tahir Salakhov, Richard Serra, Kemal Seyhan, Erinç Seymen, Sabina Shikhlinskaya, Hiroshi Sugimoto, Maya Sumbadze, Güneş Terkol, Canan Tolon, Pınar Yolaçan, Fahrelnissa Zeid.

Exhibition Catalogue

Memory and Continuity

Memory and Continuity

A firm believer in the idea that a collection needs to be upheld at least by four generations and comparing this continuity to a relay race, Nahit Kabakcı began creating the Huma Kabakcı...

Hybrid Identities <br/>Esra Aliçavuşoğlu, Huma Kabakcı, Erinç Seymen, <br/>Güneş Terkol

Hybrid Identities
Esra Aliçavuşoğlu, Huma Kabakcı, Erinç Seymen,
Güneş Terkol

Video

Memory Building Memories / Memory Room / Memento Mori

Memory Building Memories / Memory Room / Memento Mori

Each memory tells an intimate story; each collection presents us with the reality of containing an intimate story as well. The collection is akin to a whole in which many memories and stories of the artist, the viewer, and the collector are brought together. At the heart of a collection is memory, nurtured from the past and projecting into the future.

Shaping Forms  The Migrant Body / Shaping Ideologies

Shaping Forms The Migrant Body / Shaping Ideologies

Constituting the entirety of all the perceived aspects of an object creating their own order, form not only contains visual elements and characteristics, but can also help elucidate concepts. 

Modernity Building the Modern / Reshaping the Modern

Modernity Building the Modern / Reshaping the Modern

A firm believer in the idea that a collection needs to be upheld at least by four generations and comparing this continuity to a relay race, Nahit Kabakcı began creating the Huma Kabakcı Collection from the 1980s onwards. Today, the collection can be considered one of the most important and outstanding examples among the rare, consciously created, and long-lasting ones of its kind in Turkey.