February 5 - April 20, 2014
The glass artists hailing from Northern European countries, presented us here in İstanbul with contemporary interpretations of glass, a material inherited from past cultures.
The artists, taking their influences from the glamorous nature and traditions of the North, reinterpret the forms that pass on from generation to generation, through pushing the limits of material and technology in an unorthodox way. They transformed glass into a field of contemporary art, beyond the function, form, and technical skills inherited from previous pioneers of glass-making, proved and approved since the 18th century. They opened up new discussion platforms for today’s questions while remaining true to the Nordic simplicity and grace.
The exhibition, curated by Mats Jansson, included works from Sweden, Norway, Finland, Denmark, and Iceland by 25 artists who are in a continuous search, produce freely and on a wide scale, in a process that is variable, innovative, and global.
in collaboration with
with the contribution of
gallery wall paint sponsor
The glass artists hailing from Northern European countries presented us with contemporary interpretations of glass, a material inherited from past cultures, in the Aurora...
In conjunction with the exhibition Aurora: Contemporary Nordic Glass Art, Asa Jungnelius, a remarkable name from Sweden’s young generation of artists, will be in conversation with art critic Ahu Antmen.
Video
In 1998 Ben Jakober and Yannick Vu collaborated on an obvious remake of Marcel Duchamp’s Roue de Bicyclette, his first “readymade” object. Duchamp combined a bicycle wheel, a fork and a stool to create a machine which served no purpose, subverting accepted norms of art.
Three figures in Eastern dress are shown in repose against an exotic landscape, smoking pipes and playing mangala. Inventories of the royal collections from 1739 identify the members of this group as the royal eunuch Matthias and two odalisques.
Inspired by its Anatolian Weights and Measures Collection, Pera Museum presents a contemporary video installation titled For All the Time, for All the Sad Stones at the gallery that hosts the Collection. The installation by the artist Nicola Lorini takes its starting point from recent events, in particular the calculation of the hypothetical mass of the Internet and the weight lost by the model of the kilogram and its consequent redefinition, and traces a non-linear voyage through the Collection.
Tuesday - Friday 11.00 - 18.00
The museum is closed on Mondays,
Saturdays and Sundays.
On Wednesdays, the students can
visit the museum free of admission.
Full ticket: 25 TL
Discounted: 10 TL
Groups: 20 TL (10 people or more)
