The workshop is inspired by Ekin Özbiçer's video installation Auto-orientalism, which is accompanied by the sounds of Istanbul. In the workshop conducted by Beste Kopuz and Arek Qadrra, the participants will visit the museum and its surroundings and “photograph the different sounds” of the museum and the city.
Capacity: 10 people
Duration: 180 minutes
Fee per workshop: 300 TL
The event will take place at the Pera Museum (face-to-face).
For more information: ogrenme@peramuzesi.org.tr
About Arek Qadrra
Starting from the concepts of universe, metaphysics and, in this context, city and life, the artist continues his contemporary artworks in a multidisciplinary style with conceptual art, media art, painting, photography and installations in Istanbul. He participated in "Living Space Photography Workshop” (GAPO-SALT - Istanbul), "Country of Dreams Troia” (Çanakkale Piri Reis Museum) in 2018, “Country of Dreams Troia” (Darphane-i Amire - Istanbul), “Wall Paper Scissors” (Space Debris Art - Orjin Gallery), ”Gallery Space+D” (Digilogue), “Sonar Istanbul” (Zorlu PSM), "Finding Healing in Istanbul” (Karşı Art Works - Yaklaşım Tüneli Taksim).
About Beste Kopuz
The multidisciplinary artist Beste Kopuz focuses on the city’s history, the memory of the place, and the layered network of relations established with the place by conducting archival studies. Her studies were exhibited in both local and international platforms such as Mamut Art Project 2017, BASE 2017, CAPTCHA Design Festival, Mixer, Space Debris, and Şehre BAK. In November 2019, she opened her first personal exhibition titled "Kazıklıköy" at Versus Art Project. She lives in Istanbul and continues her postgraduate education at Hacettepe Fine Arts Institute painting department.
In this piece, Żmurko presents an exotic image of a harem chamber, replete with gleaming fabrics and scattered jewels, as a setting for the statuesquely beautiful body of an odalisque murdered “at the order of the padishah”.
Over the years of 1864 through 1876, Stanisław Chlebowski served Sultan Abdülaziz in Istanbul as his court painter. As it was, Abdülaziz disposed of considerable artistic talents of his own, and he actively involved himself in Chlebowski’s creative process, suggesting ideas for compositions –such as ballistic pieces praising the victories of Turkish arms.
Józef Brandt harboured a fascination for the history of 17th century Poland, and his favourite themes included ballistic scenes and genre scenes before and after the battle proper –all and sundry marches, returns, supply trains, billets and encampments, patrols, and similar motifs illustrating the drudgery of warfare outside of its culminating moments.
Tuesday - Saturday 10:00 - 19:00
Friday 10:00 - 22:00
Sunday 12:00 - 18:00
The museum is closed on Mondays.
On Wednesdays, the students can
visit the museum free of admission.
Full ticket: 300 TL
Discounted: 150 TL
Groups: 200 TL (minimum 10 people)
