“On the Spot” Exhibition Tour

School Groups
High School

Face-to-Face

Students who take a guided tour of the exhibition titled On the Spot, which aims to reassess Istanbul's representational history through new perspectives using panoramic paintings and photographs, embark on a journey through the representational history of Istanbul. The students also have the opportunity to thoroughly reconsider the long history of the panoramic gaze that extends back to the early modern period and Istanbul's place within this history.

Weekday Face-to-face Learning Program
Thursday
10:30-12:00
13:30-15:00 

Related Exhibition: On the Spot: Panoramic Gaze on Istanbul, a History

Reservation is required for groups, which should include no less than 10 and no more than 30 participants.
For more information:ogrenme@peramuzesi.org.tr

loading ... Loading...
loading ... Loading...
loading ... Loading...
Loading ...
loading ... Loading...
loading ... Loading...
loading ... Loading...
Loading ...
loading ... Loading...
loading ... Loading...
loading ... Loading...
Loading ...
loading ... Loading...
loading ... Loading...
loading ... Loading...
Loading ...
loading ... Loading...
loading ... Loading...
loading ... Loading...
Loading ...

Los Caprichos

Los Caprichos

It can be seen how Goya gradually and constantly investigated all the technical possibilities of creative engraving from etching to lithography. 

Portrait of Martín Zapater (1797)

Portrait of Martín Zapater (1797)

Martín Zapater y Clavería, born in Zaragoza on November 12th 1747, came from a family of modest merchants and was taken in to live with a well-to-do aunt, Juana Faguás, and her daughter, Joaquina de Alduy. He studied with Goya in the Escuelas Pías school in Zaragoza from 1752 to 1757 and a friendship arose between them which was to last until the death of Zapater in 1803. 

An Ottoman Ambassador and a French Bulldog at Covent Garden

An Ottoman Ambassador and a French Bulldog at Covent Garden

Celebrating its 10th anniversary this year, Pera Museum invites artist Benoît Hamet to reinterpret key pieces from its collections, casting a humourous eye over ‘historical’ events, both imagined and factual.