Balanced Structures

School Groups
Primary School

Online

If we placed all our pencils on top of one another, would they stay balanced? Would you need more materials to keep them stable? In this workshop we will learn about scales and weighing machines and explore the materials used by architects and engineers in the past. After an online guided tour of the Suna and İnan Kıraç Foundation’s Collection of Anatolian Weights and Measures, we will design durable structures that can stand upright, using toothpicks and colored play dough.      

Materials
Play dough
Toothpicks (50 pieces) 

Weekday Online Learning Program
Thursday, Friday  

10:00-10:30
10:45-11:15
11:30-12:00  

Online guided tour and workshop participation fee per person for private schools: 100 TL
Online guided tours and workshops are free of charge for public schools.  

Reservation is required for groups, which should include no less than 10 and no more than 60 participants. After confirmation of the reservation, the workshop link will be sent exclusively to the e-mail address submitted during registration.

Related Exhibition: Anatolian Weights and Measures

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History of a Khanjar

History of a Khanjar

Henryk Weyssenhoff, author of landscapes, prints, and illustrations, devoted much of his creative energies to realistic vistas of Belorussia, Lithuania, and Samogitia. A descendant of an ancient noble family which moved east to the newly Polonised Inflanty in the 17th century, the young Henryk was raised to cherish Polish national traditions.

The Search for Form

The Search for Form

A series of small and rather similar nudes Bedri Rahmi Eyüboğlu and Eren Eyüboğlu produced in the early 1930s almost resemble a ‘visual conversation’ that focus on a pictorial search. It is also possible to find the visual reflections of this earlier search in the synthesis Bedri Rahmi Eyüboğlu reached with his stylistic abstractions in the 1950s.

The First Nudes

The First Nudes

Men were the first nudes in Turkish painting. The majority of these paintings were academic studies executed in oil paint; they were part of the education of artists that had finally attained the opportunity to work from the live model. The gender of the models constituted an obstacle in the way of characterizing these paintings as ‘nudes’.