And Now the Good News
Virtual Exhibition Tour

Teachers

Teachers will be attending a 3D, guided virtual tour of And Now the Good News: Works from the Nobel Collection. Focusing on the relationship between mass media and art, the exhibition brings together a comprehensive selection of works from the Annette and Peter Nobel Collection, tracing the history of modern art while discussing the most critical issues in science, culture, and politics in the last 150 years. Featuring works using a variety of media such as painting, photography, collage, drawing, installation, and video, the exhibition displays the most important periods of modern and contemporary art.

The event is free, but reservation is required. It will be hosted on Zoom Meeting. Participants will receive a certificate of participation via e-mail after the event.

Groups can consist of a minimum of 10 people and a maximum of 80 people.

Duration: 30 minutes

For more information and reservations: ogrenme@peramuzesi.org.tr

Related Exhibition: And Now the Good News: Works from the Nobel Collection

Please contact us to learn more about the guided virtual tours and reservations for the workshop.

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A Photographer’s Biography Guillaume Berggren

A Photographer’s Biography Guillaume Berggren

Berggren acquires the techniques of photography in Berlin and holds different jobs in various European cities before arriving in İstanbul. Initially en route to Marseille, he disembarks from his ship in 1866 and settles in İstanbul, where he is to spend the rest of his life.

A Photographer’s Biography Pascal Sebah

A Photographer’s Biography Pascal Sebah

Following the opening of his studio, “El Chark Societe Photographic,” on Beyoğlu’s Postacılar Caddesi in 1857, the Levantine-descent Pascal Sébah moves to yet another studio next to the Russian Embassy in 1860 with a Frenchman named A. Laroche, who, apart from having worked in Paris previously, is also quite familiar with photographic techniques.

Midnight Stories: COGITO <br> Tevfik Uyar

Midnight Stories: COGITO
Tevfik Uyar

He had imagined the court room as a big place. It wasn’t. It was about the size of his living room, with an elevation at one end, with a dais on it. The judges and the attorneys sat there. Below it was an old wooden rail, worn out in some places. That was his place. There was another seat for his lawyer. At the back, about 20 or 30 chairs were stowed out for the non-existent crowd.