And Now the Good News
Virtual Exhibition Tour

Teachers

Teachers will be attending a 3D, guided virtual tour of And Now the Good News: Works from the Nobel Collection. Focusing on the relationship between mass media and art, the exhibition brings together a comprehensive selection of works from the Annette and Peter Nobel Collection, tracing the history of modern art while discussing the most critical issues in science, culture, and politics in the last 150 years. Featuring works using a variety of media such as painting, photography, collage, drawing, installation, and video, the exhibition displays the most important periods of modern and contemporary art.

The event is free, but reservation is required. It will be hosted on Zoom Meeting. Participants will receive a certificate of participation via e-mail after the event.

Groups can consist of a minimum of 10 people and a maximum of 80 people.

Duration: 30 minutes

For more information and reservations: ogrenme@peramuzesi.org.tr

Related Exhibition: And Now the Good News: Works from the Nobel Collection

Please contact us to learn more about the guided virtual tours and reservations for the workshop.

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Dancing on Architecture

Dancing on Architecture

I think it was Frank Zappa – though others claim it was Laurie Anderson – who said in an interview that ‘writing on music is much like dancing on architecture’. 

It’s better to burn out than to fade away

It’s better to burn out than to fade away

In 1962 Philip Corner, one of the most prominent members of the Fluxus movement, caused a great commotion in serious music circles when during a performance entitled Piano Activities he climbed up onto a grand piano and began to kick it while other members of the group attacked it with saws, hammers and all kinds of other implements.

Andy Warhol’s Screen Tests

Andy Warhol’s Screen Tests

Between 1963 and 1966 Andy Warhol worked at making film portraits of all sorts of characters linked to New York art circles. Famous people and anonymous people were filmed by Andy Warhol’s 16 mm camera, for almost four minutes, without any instructions other than ‘to get in front of the camera’.