Who Cares?

  • November 9, 2014 / 17:10

Director: Mara Mourão
93’, Brazil, 2012
Portuguese, English, Spanish with Turkish subtitles

WHO CARES is a documentary about social entrepreneurs around the world. People who are making changes, bringing solutions, generating huge social impact and most of all, inspiring people to do the same. A film that searches the world for brilliant people with simple solutions to the hard global issues. The goal of WHO CARES is to inspire people around the world, especially young people from ages 15 years-old up, to learn more about, become excited by and want to be engaged in the social entrepreneurship revolution. It doesn’t matter if you work in education, finance, human rights, health, environmental affairs, or another field altogether; it doesn’t matter if you work in the private, public or social sector. If you see problems as opportunities, you already have what it takes to be a changemaker, a social entrepreneur.

Not Business as Usual

Not Business as Usual

Into Eternity

Into Eternity

DamNation

DamNation

Keep On Rolling: The Dream of Automobile

Keep On Rolling: The Dream of Automobile

Celeritas

Celeritas

Torre David: The World’s Tallest Squat

Torre David: The World’s Tallest Squat

Infinite Vision

Infinite Vision

Who Cares?

Who Cares?

Galatasaray, an Institution of Institutions | Besim F. Dellaloğlu

Galatasaray, an Institution of Institutions | Besim F. Dellaloğlu

Is Istanbul a single city? Will Istanbul too, be one day one day divided into different sections, and numbered like the arrondisements of Paris? These are tough questions indeed! 

The Battle of Varna

The Battle of Varna

Over the years of 1864 through 1876, Stanisław Chlebowski served Sultan Abdülaziz in Istanbul as his court painter. As it was, Abdülaziz disposed of considerable artistic talents of his own, and he actively involved himself in Chlebowski’s creative process, suggesting ideas for compositions –such as ballistic pieces praising the victories of Turkish arms. 

Reminiscences of Motifs

Reminiscences of Motifs

As artisanship became a part of artistic practices with the blurring of art and craft, the use of traditional motifs has also flourished. In this context, how are these motifs currently structured or designed beyond their traditional connotations?