Who Cares?

  • November 9, 2014 / 17:10

Director: Mara Mourão
93’, Brazil, 2012
Portuguese, English, Spanish with Turkish subtitles

WHO CARES is a documentary about social entrepreneurs around the world. People who are making changes, bringing solutions, generating huge social impact and most of all, inspiring people to do the same. A film that searches the world for brilliant people with simple solutions to the hard global issues. The goal of WHO CARES is to inspire people around the world, especially young people from ages 15 years-old up, to learn more about, become excited by and want to be engaged in the social entrepreneurship revolution. It doesn’t matter if you work in education, finance, human rights, health, environmental affairs, or another field altogether; it doesn’t matter if you work in the private, public or social sector. If you see problems as opportunities, you already have what it takes to be a changemaker, a social entrepreneur.

Not Business as Usual

Not Business as Usual

Into Eternity

Into Eternity

DamNation

DamNation

Keep On Rolling: The Dream of Automobile

Keep On Rolling: The Dream of Automobile

Celeritas

Celeritas

Torre David: The World’s Tallest Squat

Torre David: The World’s Tallest Squat

Infinite Vision

Infinite Vision

Who Cares?

Who Cares?

Today's Stories: Coal <br>Pelin Buzluk

Today's Stories: Coal
Pelin Buzluk

Inspired by the exhibition Istanbuls Today, Today's Stories series starts with Pelin Buzluk's story "Coal"! TThis series gathers short stories written by authors encouraged by the photographs in the exhibition.

Girl in a Blue Dress

Girl in a Blue Dress

This life-size portrait of a girl is a fine example of the British art of portrait painting in the early 18th century. The child is shown posing on a terrace, which is enclosed at the right foreground by the plinth of a pillar; the background is mainly filled with trees and shrubs. 

The Big Country

The Big Country

When the Royal Academy of Arts offered Stephen Chambers the opportunity to produce new work for a focused exhibition in the Weston Rooms of the Main Galleries, Chambers turned to print and the possibilities it offered.