Director: Kornél Mundruczó
Cast: Zsófia Psotta, Sándor Zsótér, Lili Horváth, Szabolcs Thuróczy
Hungary, Germany, Sweden, 2014, 121’, color
Hungarian with Turkish subtitles
When her father sets her dog Hagen free on the streets of Budapest, thirteen-year-old Lili becomes devastated. She runs away from home to search for him while Hagen’s path crosses dark people on dark streets full of violence, enmity, assault and danger. In this city of overcrowded shelters and illegal dog fights, Hagen becomes a symbol of revolution and this revolution becomes a symbol of Lili’s rebellion. Awarded with Un certain regard prize in Cannes Film Festival, Kornél Mundruczó’s White God is empowered by pure love in spite of all its harshness and wilderness.
Trailer
He had imagined the court room as a big place. It wasn’t. It was about the size of his living room, with an elevation at one end, with a dais on it. The judges and the attorneys sat there. Below it was an old wooden rail, worn out in some places. That was his place. There was another seat for his lawyer. At the back, about 20 or 30 chairs were stowed out for the non-existent crowd.
John Frederick Lewis is considered one of the most important British Orientalist artists of the Victorian era. Pera Museum exhibited several of Lewis’ paintings as part of the Lure of the East exhibition in 2008 organized in collaboration with Tate Britain.
Each memory tells an intimate story; each collection presents us with the reality of containing an intimate story as well. The collection is akin to a whole in which many memories and stories of the artist, the viewer, and the collector are brought together. At the heart of a collection is memory, nurtured from the past and projecting into the future.
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