“What it is to be trans in this world is often discussed in terms of bodies – trans bodies are a problem, to be fixed or they’re a secret, to be concealed. The trans body is isolated and marked out as fundamentally alien from the society in which it exists. It is singled out for scrutiny. In Cecilia Golding and Nick Finegan’s new film, The Swimming Club, which follows participants at TAGS (‘Trans and Gender non-conforming Swimmers’ Group) in London, one of the trans swimmers in the club explains how the scrutiny of trans people’s bodies and their meaning quickly transforms into the language of oppression: “they say that we’re unnatural, that we’re perverted that we’re not genuine people”. Shon Faye, Dazed Digital, 3.08.2017
Coffee was served with much splendor at the harems of the Ottoman palace and mansions. First, sweets (usually jam) was served on silverware, followed by coffee serving. The coffee jug would be placed in a sitil (brazier), which had three chains on its sides for carrying, had cinders in the middle, and was made of tombac, silver or brass. The sitil had a satin or silk cover embroidered with silver thread, tinsel, sequin or even pearls and diamonds.
Suggesting alternative models for new social and economic systems, SUPERFLEX works appear before us as energy systems, beverages, sculptures, copies, hypnosis sessions, infrastructure, paintings, plant nurseries, contracts, or specifically designed public spaces.
In 1493, exactly 500 years ago, Leonardo da Vinci was finishing the preparations for casting the equestrian monument (4 times life size), which Ludovico il Moro, Duke of Milan commissioned in memory of his father some 12 years earlier.
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Tuesday - Saturday 10:00 - 19:00
Friday 10:00 - 22:00
Sunday 12:00 - 18:00
The museum is closed on Mondays.
On Wednesdays, the students can
visit the museum free of admission.
Full ticket: 50 TL
Discounted: 25 TL
Groups: 40 TL (10 people or more)
