The Middleman

  • May 14, 2022 / 15:00
  • May 21, 2022 / 15:00

Directors: Shira Geffen, Etgar Keret
Cast: Mathieu Amalric, Eddy Mitchell, Nicole Shirer, Sarah Adler, Michelangelo Marchese
France, Belgium, 2019, 4 episodes, 180', DCP, color
French with Turkish subtitles

After the success of Jellyfish, Etgar Keret and Shira Geffen come back to directing with The Middleman - a new TV mini-series. David Lynch meets Luis De Funes in a unique tale that tries to take a humorous peek into the darkest corners of our subconscious:  A homeless real estate agent who gets legal consulting from his Goldfish discovers that he can travel in time. Will he be able to change his past, and even more importantly, will his past be able to change the painfully isolated and lonely present?

Skin Deep

Skin Deep

Wristcutters: A Love Story

Wristcutters: A Love Story

Jellyfish

Jellyfish

Etgar Keret: What Animal Are You?

Etgar Keret: What Animal Are You?

Etgar Keret: Based on A True Story

Etgar Keret: Based on A True Story

The Middleman

The Middleman

Outside

Outside

A Photographer’s Biography Ali Sami Aközer

A Photographer’s Biography Ali Sami Aközer

Ali Sami is born in Rusçuk in 1866, and moves to İstanbul. Because his family is registered in the Beylerbeyi quarter of Üsküdar, Ali Sami is also called Üsküdarlı Ali Sami. He graduates from the Mühendishane-i Berri-i Hümayun in 1866 and becomes a teacher of painting and photography at the school.

Introducing… Turkish coffee!

Introducing… Turkish coffee!

Celebrating its 10th anniversary this year, Pera Museum invites artist Benoît Hamet to reinterpret key pieces from its collections, casting a humourous eye over ‘historical’ events, both imagined and factual.

From Cypresses to Turkish Landscapes

From Cypresses to Turkish Landscapes

Among the most interesting themes in the oeuvre of Prassinos are cypresses, trees, and Turkish landscapes. The cypress woods in Üsküdar he saw every time he stepped out on the terrace of their house in İstanbul or the trees in Petits Champs must have been strong images of childhood for Prassinos.