The Middleman

  • May 14, 2022 / 15:00
  • May 21, 2022 / 15:00

Directors: Shira Geffen, Etgar Keret
Cast: Mathieu Amalric, Eddy Mitchell, Nicole Shirer, Sarah Adler, Michelangelo Marchese
France, Belgium, 2019, 4 episodes, 180', DCP, color
French with Turkish subtitles

After the success of Jellyfish, Etgar Keret and Shira Geffen come back to directing with The Middleman - a new TV mini-series. David Lynch meets Luis De Funes in a unique tale that tries to take a humorous peek into the darkest corners of our subconscious:  A homeless real estate agent who gets legal consulting from his Goldfish discovers that he can travel in time. Will he be able to change his past, and even more importantly, will his past be able to change the painfully isolated and lonely present?

Skin Deep

Skin Deep

Wristcutters: A Love Story

Wristcutters: A Love Story

Jellyfish

Jellyfish

Etgar Keret: What Animal Are You?

Etgar Keret: What Animal Are You?

Etgar Keret: Based on A True Story

Etgar Keret: Based on A True Story

The Middleman

The Middleman

Outside

Outside

Symbols

Symbols

Pera Museum’s Cold Front from the Balkans exhibition curated by Ali Akay and Alenka Gregorič brings together contemporary artists from Albania, Bosnia and Herzegovina, Bulgaria, Croatia, Kosovo, Macedonia, Montenegro, Romania, Serbia and Slovenia.

Midnight Horror Stories: Pollens, Photosynthesis & Rock ‘N’ Roll <br> Murat Başekim

Midnight Horror Stories: Pollens, Photosynthesis & Rock ‘N’ Roll
Murat Başekim

Pera Museum Blog is launching a new series of creepy stories in collaboration with Turkey’s Fantasy and Science Fiction Arts Association (FABISAD). The Association’s member writers are presenting newly commissioned short horror stories inspired by the artworks of Mario Prassinos as part of the Museum’s In Pursuit of an Artist: Istanbul-Paris-Istanbul exhibition. The third story is by Murat Başekim! The stories will be published online throughout the exhibition. Stay tuned!

Portrait of a Bullfighter (1797)

Portrait of a Bullfighter (1797)

The man is depicted in three-quarters view, turning straight to the viewers with a penetrating glance. The background is grey, while the clothes, the hair, and cap are black.