Sh’Chur

  • November 14, 2018 / 19:00
  • November 23, 2018 / 20:00

Director: Shmuel Hasfari
Cast: Gila Almagor, Ronit Elkabetz, Eti Adar, Hanna Azoulay Hasfari
Israel, 1994, 98',  color
 Hebrew with Turkish subtitles

Sh’Chur portrays the colourful and passionate culture of the Moroccan community in Israel. It tells the story of 13-year-old Rachel, a thoroughly Westernized Sabra teenager who struggles to make sense of and come to terms with the white magic (Sh'Chur) practiced regularly by members of her family. This mystical world of spirits and demons takes on a physical presence in the shape of her elder sister Pnina, whose supernatural powers fill Rachel with fear...

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Sh’Chur

Sh’Chur

Late Marriage

Late Marriage

Or (My Treasure)

Or (My Treasure)

To Take a Wife

To Take a Wife

The Band's Visit

The Band's Visit

7 Days

7 Days

Jaffa

Jaffa

The Flood

The Flood

Gett: The Trial of Viviane Amsalem

Gett: The Trial of Viviane Amsalem

Artist Nicola Lorini in Conversation

Artist Nicola Lorini in Conversation

Inspired by its Anatolian Weights and Measures Collection, Pera Museum presents a contemporary video installation titled For All the Time, for All the Sad Stones at the gallery that hosts the Collection. The installation by the artist Nicola Lorini takes its starting point from recent events, in particular the calculation of the hypothetical mass of the Internet and the weight lost by the model of the kilogram and its consequent redefinition, and traces a non-linear voyage through the Collection.

Niko Pirosmani

Niko Pirosmani

“A nameless Egyptian fresco, an African idol or a vase from Crete: we should behold Pirosmani’s art among them. Only this way it is possible to conceive it genuinely … …You see Pirosmani – you believe in Georgia”.
Grigol Robakidze

The Battle of Varna

The Battle of Varna

Over the years of 1864 through 1876, Stanisław Chlebowski served Sultan Abdülaziz in Istanbul as his court painter. As it was, Abdülaziz disposed of considerable artistic talents of his own, and he actively involved himself in Chlebowski’s creative process, suggesting ideas for compositions –such as ballistic pieces praising the victories of Turkish arms.