Director: Andreas Kleinert
Cast: Hilmar Thate, Cornelia Schmaus, Henriette Heinze, Dirk Borchardt
Germany, 1999, 98', DCP, b&w
German with Turkish subtitles
Walter is a middle-aged man who suddenly finds himself out of a job. He finds himself wandering the city streets at night, trying to find something to do that will give his life some sense of purpose. He strikes up a friendship with a cynical young couple, and later, in hopes of regaining the respect of his wife, he tries to steal an expensive piece of jewelry for her.The opening film of Directors’ Fortnight at the 1999 Cannes Film Festival, Paths in the Night is a dramatic work shot in haunting black and white. Set against the backdrop of post-unification Germany, the film explores the breakdown of relations in a decaying social structure.
Trailer
In 1998 Ben Jakober and Yannick Vu collaborated on an obvious remake of Marcel Duchamp’s Roue de Bicyclette, his first “readymade” object. Duchamp combined a bicycle wheel, a fork and a stool to create a machine which served no purpose, subverting accepted norms of art.
Coffee was served with much splendor at the harems of the Ottoman palace and mansions. First, sweets (usually jam) was served on silverware, followed by coffee serving. The coffee jug would be placed in a sitil (brazier), which had three chains on its sides for carrying, had cinders in the middle, and was made of tombac, silver or brass. The sitil had a satin or silk cover embroidered with silver thread, tinsel, sequin or even pearls and diamonds.
In 1493, exactly 500 years ago, Leonardo da Vinci was finishing the preparations for casting the equestrian monument (4 times life size), which Ludovico il Moro, Duke of Milan commissioned in memory of his father some 12 years earlier.
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