Director: Andreas Kleinert
Cast: Hilmar Thate, Cornelia Schmaus, Henriette Heinze, Dirk Borchardt
Germany, 1999, 98', DCP, b&w
German with Turkish subtitles
Walter is a middle-aged man who suddenly finds himself out of a job. He finds himself wandering the city streets at night, trying to find something to do that will give his life some sense of purpose. He strikes up a friendship with a cynical young couple, and later, in hopes of regaining the respect of his wife, he tries to steal an expensive piece of jewelry for her.The opening film of Directors’ Fortnight at the 1999 Cannes Film Festival, Paths in the Night is a dramatic work shot in haunting black and white. Set against the backdrop of post-unification Germany, the film explores the breakdown of relations in a decaying social structure.
Trailer
Coffee was served with much splendor at the harems of the Ottoman palace and mansions. First, sweets (usually jam) was served on silverware, followed by coffee serving. The coffee jug would be placed in a sitil (brazier), which had three chains on its sides for carrying, had cinders in the middle, and was made of tombac, silver or brass. The sitil had a satin or silk cover embroidered with silver thread, tinsel, sequin or even pearls and diamonds.
Having penetrated the Balkans in the fourteenth century, conquered Constantinople in the fifteenth, and reached the gates of Vienna in the sixteenth, the Ottoman Empire long struck fear into European hearts.
Suggesting alternative models for new social and economic systems, SUPERFLEX works appear before us as energy systems, beverages, sculptures, copies, hypnosis sessions, infrastructure, paintings, plant nurseries, contracts, or specifically designed public spaces.
Tuesday - Saturday 10:00 - 19:00
Friday 10:00 - 22:00
Sunday 12:00 - 18:00
The museum is closed on Mondays.
On Wednesdays, the students can
visit the museum free of admission.
Full ticket: 300 TL
Discounted: 150 TL
Groups: 200 TL (minimum 10 people)
