No Hard Feelings

Director: Faraz Shariat
Cast:
Benny Radjaipour, Banafshe Hourmazdi, Eidin Jalali, Maryam Zaree
Germany, 2020, 92', color
German, Farsi with Turkish subtitles

High-cut trousers, skin-tight t-shirt, short, peroxide-blond hair. On his birthday, Parvis celebrates by stealing a bottle from the bar at the club and dancing. The son of Iranian parents, he has established himself in the attic of his parents’ house in a quiet new housing estate in Lower Saxony and is busy trying out everything and anything from sex dates to raves. After getting caught shoplifting, he is sent to do community service in a refugee shelter where he falls in love with Amon, who has fled Iran with his sister Banafshe Arezu. The trio enjoys a summer of fierce partying till dawn, coloured by the realisation that, in their different ways, none of them is at home in Germany.

Knives and Skin

Knives and Skin

No Hard Feelings

No Hard Feelings

One In A Thousand

One In A Thousand

Tracing Utopia

Tracing Utopia

Trailer

No Hard Feelings

The Search for Form

The Search for Form

A series of small and rather similar nudes Bedri Rahmi Eyüboğlu and Eren Eyüboğlu produced in the early 1930s almost resemble a ‘visual conversation’ that focus on a pictorial search. It is also possible to find the visual reflections of this earlier search in the synthesis Bedri Rahmi Eyüboğlu reached with his stylistic abstractions in the 1950s.

Janine Antoni Look At Me!

Janine Antoni Look At Me!

The exhibition Look at Me! Portraits and Other Fictions from the ”la Caixa” Contemporary Art Collection examines portraiture, one of the oldest artistic genres, through a significant number of works of our times. Through the exhibition we will be sharing about the artists and sections in Look At Me!. This time we are sharing about Janine Antoni , exhibited under the section “The Conventions of Identitiy”!

Paris Without End (1959-1965)

Paris Without End (1959-1965)

In the 60s, Alberto Giacometti paid homage to Paris, the city where he lived, by drawing its streets, cafés, and more private places like his studio and the apartment of his wife, Annette. These drawings would make up his last book, Paris sans fin (Paris Without End).