Video: Çiçek Kahraman
Turkey, 2015, 5', HDD, renkli, color, b&w
Turkish
This video focuses on the common representation of ‘the street’ in the ‘neighbourhood comedies' -a sub-genre in Turkish Cinema. It explores how 'windows' are represented in these movies as an area of socialisation, and how ‘neighbourhood’ is defined in terms of 'public' and 'private'. The footage is gathered from movies produced in Turkey between 1960 and 1985; a period referred to as Yeşilçam. This term also entails a certain genre and a certain means of production. The footage consists of shots of people in windows, either looking at or talking to someone. The video also explores gender definitions in Yeşilçam movies by assembling footage of different representations of female characters.
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Pera Museum’s Cold Front from the Balkans exhibition curated by Ali Akay and Alenka Gregorič brings together contemporary artists from Albania, Bosnia and Herzegovina, Bulgaria, Croatia, Kosovo, Macedonia, Montenegro, Romania, Serbia and Slovenia.
Having penetrated the Balkans in the fourteenth century, conquered Constantinople in the fifteenth, and reached the gates of Vienna in the sixteenth, the Ottoman Empire long struck fear into European hearts.
In 1998 Ben Jakober and Yannick Vu collaborated on an obvious remake of Marcel Duchamp’s Roue de Bicyclette, his first “readymade” object. Duchamp combined a bicycle wheel, a fork and a stool to create a machine which served no purpose, subverting accepted norms of art.
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