Video: Çiçek Kahraman
Turkey, 2015, 5', HDD, renkli, color, b&w
Turkish
This video focuses on the common representation of ‘the street’ in the ‘neighbourhood comedies' -a sub-genre in Turkish Cinema. It explores how 'windows' are represented in these movies as an area of socialisation, and how ‘neighbourhood’ is defined in terms of 'public' and 'private'. The footage is gathered from movies produced in Turkey between 1960 and 1985; a period referred to as Yeşilçam. This term also entails a certain genre and a certain means of production. The footage consists of shots of people in windows, either looking at or talking to someone. The video also explores gender definitions in Yeşilçam movies by assembling footage of different representations of female characters.
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Coffee was served with much splendor at the harems of the Ottoman palace and mansions. First, sweets (usually jam) was served on silverware, followed by coffee serving. The coffee jug would be placed in a sitil (brazier), which had three chains on its sides for carrying, had cinders in the middle, and was made of tombac, silver or brass. The sitil had a satin or silk cover embroidered with silver thread, tinsel, sequin or even pearls and diamonds.
Selected from the Suna and İnan Kıraç Foundation Photography Collection, we present the landscapes and places in Istanbul photographs, dating from the 1850s to the 1980s, together with their present-day views!
Suggesting alternative models for new social and economic systems, SUPERFLEX works appear before us as energy systems, beverages, sculptures, copies, hypnosis sessions, infrastructure, paintings, plant nurseries, contracts, or specifically designed public spaces.
Tuesday - Saturday 10:00 - 19:00
Friday 10:00 - 22:00
Sunday 12:00 - 18:00
The museum is closed on Mondays.
On Wednesdays, the students can
visit the museum free of admission.
Full ticket: 300 TL
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