Video: Çiçek Kahraman
Turkey, 2015, 5', HDD, renkli, color, b&w
Turkish
This video focuses on the common representation of ‘the street’ in the ‘neighbourhood comedies' -a sub-genre in Turkish Cinema. It explores how 'windows' are represented in these movies as an area of socialisation, and how ‘neighbourhood’ is defined in terms of 'public' and 'private'. The footage is gathered from movies produced in Turkey between 1960 and 1985; a period referred to as Yeşilçam. This term also entails a certain genre and a certain means of production. The footage consists of shots of people in windows, either looking at or talking to someone. The video also explores gender definitions in Yeşilçam movies by assembling footage of different representations of female characters.
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Selected from the Suna and İnan Kıraç Foundation Photography Collection, we present the landscapes and places in Istanbul photographs, dating from the 1850s to the 1980s, together with their present-day views!
Suggesting alternative models for new social and economic systems, SUPERFLEX works appear before us as energy systems, beverages, sculptures, copies, hypnosis sessions, infrastructure, paintings, plant nurseries, contracts, or specifically designed public spaces.
In 1493, exactly 500 years ago, Leonardo da Vinci was finishing the preparations for casting the equestrian monument (4 times life size), which Ludovico il Moro, Duke of Milan commissioned in memory of his father some 12 years earlier.
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