Spain ,USA, 2009–2011, HDV, DV, color, black & white, 99’
Spanish and English with Turkish subtitles
Dear Jonas, dear José Luis – a cinematic letter exchange in the form of nine short film notes, framed in classic style with a salutation and farewell greeting. Jonas Mekas, the Nestor of the American avant-garde, and Catalonian filmmaker José é Luis Guerín take turns in filming snapshots of their lives from all over the world, taking in driving snow, Ken and Flo Jacobs or pigeons on the street in New York here and reflections on a empty cinema screen and a moving conversation with Slovenian film critic Nika Bohinc there. Filmmaking and their two very different working methods also often form the theme. It is a correspondence between two different temperaments – Guerín’s stylized black and white and formalist will, Mekas’s wild video camera – and yet very much the work of two true pen pals.
It was a quiet night in the dessert. Even the mice weren’t around. A few LEDs blinked in the dark, and the sound of a fan filled the infinite void. The conversation cutting the silence seemed to go nowhere.
The exhibition “Look At Me! Portraits and Other Fictions from the ”la Caixa” Contemporary Art Collection” examined portraiture, one of the oldest artistic genres, through a significant number of works of our times. Paintings, photographs, sculptures and videos shaped a labyrinth of gazes that invite spectators to reflect themselves in the social mirror of portraits.
The series of paintings depicting the audience ceremonies of European ambassadors hold a unique place among the works of Jean-Baptiste Vanmour of Valenciennes, who lived in İstanbul from 1699 until his death in 1737.
Tuesday - Saturday 10:00 - 19:00
Friday 10:00 - 22:00
Sunday 12:00 - 18:00
The museum is closed on Mondays.
On Wednesdays, the students can
visit the museum free of admission.
Full ticket: 300 TL
Discounted: 150 TL
Groups: 200 TL (minimum 10 people)
