38th Istanbul Film Festival
National Short Film Competition

April 5 - 16, 2019

Pera Film is hosting 38th Istanbul Film Festival! As part of the festival Pera Film will be screening the Documentary Time, National Short Film Competition, National Documentary Competition and the program Cinemania, as well as other screenings.

Programme I
14 April, 11.00

Aquarium
Directors: Anıl Kaya,
Özgür Önurme
Turkey, 2018, 15’

Avarya
Director: Gökalp Gönen
Turkey, 2018, 20’

Parting Shot
Director: Özgür Cem Aksoy
Turkey, 2018, 11’

The Gentle Sadness of Things     
Director: Deniz Telek
Turkey, 2018, 16’

Ad Infinitum
Director: Murat Çetinkaya      
Turkey, 2018, 13’

 

Programme II
14 April, 13.30

The Geezer
Director: Senem Bay                 
Turkey, 2018, 11’

Scream of Still Water
Director: Yusuf Elbaşı
Turkey, Germany, 2019, 7’      

The Conversation
Director: Vehbi Bozdağ
Turkey, 2018, 12’

The Tail
Director: Yiğit Hepsev
Turkey, 2019, 10’

Trousers
Director: Tahsin Özmen
Turkey, 2018, 15’

Joy et Cetera
Director: Kurtcebe Turgul
Turkey, 2018, 15’

 

Take a look at this program's film list, check out the details here.

 

Barbara Kruger’s Practice on Power,  Capitalism, Identity, and Gender

Barbara Kruger’s Practice on Power, Capitalism, Identity, and Gender

A closer look at the life and works of the artist Barbara Kruger, who is represented with two striking works in the exhibition And Now The Good News, a selection of works from the Nobel Collection.

Louis Isadore Kahn (1901-1974)

Louis Isadore Kahn (1901-1974)

Louis Isadore Kahn was born in 1901 to a Jewish family in Pärnu, Russia (today Estonia), far from Philadelphia where he spent his whole life, worked, fell in love, and breathed his last. Kahn family emigrated to America when he was five years old. 

An Ottoman Ambassador and a French Bulldog at Covent Garden

An Ottoman Ambassador and a French Bulldog at Covent Garden

Celebrating its 10th anniversary this year, Pera Museum invites artist Benoît Hamet to reinterpret key pieces from its collections, casting a humourous eye over ‘historical’ events, both imagined and factual.