}

Suna and İnan Kıraç Foundation Collection of Anatolian Weights and Measures

The Anatolian Weights and Measures Collection that Suna and İnan Kıraç began to form as early as the 1980s has grown rapidly over the years with the addiction of a number of pieces purchased from other collectors as well as regular acquisitions from Turkey and abroad. Presently, it is the most comprehensive and remarkable collection of its kind in Turkey.

Today this World-renowned collection consists of nearly eight thousand objects utilized in Anatolia from prehistory to date. These include key instruments used for measuring weight, length, and volume in a wide spectrum, extending from land measurements to commerce, from architecture to jewelry making and from seafaring to pharmaceutics. In this respect, the collection also serves as a priceless scientific resource for observing the relationship between systems of weights and measures across various periods and cultures, as well as their transformation and continuous use in the course of history.

Carefully selected to meet the demands of the exhibition hall, a broad range of objects from the collection is presented to the viewers in a chronological order. Pieces which have been excluded from this particular exhibition will be displayed periodically through “thematic” exhibitions in the future to shed more light on this fascinating area of interest in Anatolian cultural history.

Symbols

Symbols

Pera Museum’s Cold Front from the Balkans exhibition curated by Ali Akay and Alenka Gregorič brings together contemporary artists from Albania, Bosnia and Herzegovina, Bulgaria, Croatia, Kosovo, Macedonia, Montenegro, Romania, Serbia and Slovenia.

Turquerie

Turquerie

Having penetrated the Balkans in the fourteenth century, conquered Constantinople in the fifteenth, and reached the gates of Vienna in the sixteenth, the Ottoman Empire long struck fear into European hearts. 

Giacometti in Paris

Giacometti in Paris

The second part of exhibition illustrates Alberto Giacometti’s relations with Post-Cubist artists and the Surrealist movement between 1922 and 1935, one of the important sculptures series he created during his first years in Paris, and the critical role he played in the art scene of the period.