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Suna and İnan Kıraç Foundation Collection of Anatolian Weights and Measures

The Anatolian Weights and Measures Collection that Suna and İnan Kıraç began to form as early as the 1980s has grown rapidly over the years with the addiction of a number of pieces purchased from other collectors as well as regular acquisitions from Turkey and abroad. Presently, it is the most comprehensive and remarkable collection of its kind in Turkey.

Today this World-renowned collection consists of nearly eight thousand objects utilized in Anatolia from prehistory to date. These include key instruments used for measuring weight, length, and volume in a wide spectrum, extending from land measurements to commerce, from architecture to jewelry making and from seafaring to pharmaceutics. In this respect, the collection also serves as a priceless scientific resource for observing the relationship between systems of weights and measures across various periods and cultures, as well as their transformation and continuous use in the course of history.

Carefully selected to meet the demands of the exhibition hall, a broad range of objects from the collection is presented to the viewers in a chronological order. Pieces which have been excluded from this particular exhibition will be displayed periodically through “thematic” exhibitions in the future to shed more light on this fascinating area of interest in Anatolian cultural history.

Soothsayer Serenades I Two-handed by Kübra Uzun

Soothsayer Serenades I Two-handed by Kübra Uzun

Today we are thrilled to present the first playlist of Amrita Hepi’s Soothsayer Serenades series as part of the Notes for Tomorrow exhibition. The playlist titled Two-handed is presented by Kübra Uzun on Pera Museum’s Spotify account.

It’s better to burn out than to fade away

It’s better to burn out than to fade away

In 1962 Philip Corner, one of the most prominent members of the Fluxus movement, caused a great commotion in serious music circles when during a performance entitled Piano Activities he climbed up onto a grand piano and began to kick it while other members of the group attacked it with saws, hammers and all kinds of other implements.

Marcel Duchamp’s Bicycle Wheel

Marcel Duchamp’s Bicycle Wheel

In 1998 Ben Jakober and Yannick Vu collaborated on an obvious remake of Marcel Duchamp’s Roue de Bicyclette, his first “readymade” object. Duchamp combined a bicycle wheel, a fork and a stool to create a machine which served no purpose, subverting accepted norms of art.