Profiles

15 Years of Artistic Creation in France

May 10 - June 25, 2006

Where does the French artistic scene stand as regards to the last fifteen years? What are its eminent character traits? What are its dominant trends? Were there notable changes that had transformed its features? These are some of the questions brought into play by this idea of sketching a “profile” and not a “panorama” of its present status. The semantic differentiation between these two words is quite imposing here. If the notion of panorama supposes a scope and an extent which imply a broadened vision of the situation, that of profile does not make out the same meaning and sooner accentuates the idea of an overview, a digest, following the example of an artist who endeavors to give a thumbnail sketch of his model in an attempt to express its essential traits.

The first chapter of Fernand Braudel’s remarkable work “The Identity of France – History and Environment” published in 1986 bears the title “That France names herself diversity”. As a reply to this precious turn of phrase, the exposition “Profiles”, albeit far from being exhaustive, gather some 60 works by about 40 artists, nationals and foreigners, living and working in France, presenting a sample group of contemporary creation merging all trends and styles.

As its organizer, the famous art critic Philippe Piguet put it, this exposition “which intended to highlight a present state of art production as it developed in France more or less in the last fifteen years and what is more insomuch as it is sifted through sieves of public collections” blew like a spring breeze wafting a gentle air from France into the halls of Pera Museum, and gave the contemporary artistic panorama of a country that has always been amongst the vanguards of European Art.

Curator: Philippe Piguet

Artists: Adel Abdessemed, Adam Adach, Jean-Michel Alberola, Stephan Balkenhol, Claude Closky, Philippe Cognee, Stephen Dean, Richard Fauguet, Gregory Forstner, Bernard Frize, Jakob Gautel, Philippe Gronon, Marie-Ange Guilleminot, Pierre Joseph, Jason Karaindros , Regine Kolle, Christian Lapie, Natacha Lesueur, Isabelle Levenez, Olivier Masmonteil, Didier Mencoboni, Yan-Pei Ming, Jean-Luc Moulene, Bruno Perramant, Bernard Piffaretti, Pascal Pinaud, Eric Poitevin, Philippe Ramette, Sophie Ristelhueber, Georges Rousse, Samuel Rousseau, Yvan Salomone, Sarkis, Anne-Marie Schneider, Kristina Solomoukha, Barthelemy Toguo, Patrick Tosani, Xavier Zimmermann

Exhibition Catalogue

Profiles

Profiles

Where does the French artistic scene stand in regard to the last fifteen years? What are its eminent character traits? What are its dominant trends? Did nay notable change come about to transform...

The Vanity of Small Differences

The Vanity of Small Differences

The Vanity of Small Differences is a series of six large scale tapestries, completed in 2012, which explore British fascination with taste and class, and can be seen in the Grayson Perry: Small Differences exhibition. 

Have you noticed the gigantic photo on the facade of our building?

Have you noticed the gigantic photo on the facade of our building?

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Galatasaray, an Institution of Institutions | Besim F. Dellaloğlu

Galatasaray, an Institution of Institutions | Besim F. Dellaloğlu

Is Istanbul a single city? Will Istanbul too, be one day one day divided into different sections, and numbered like the arrondisements of Paris? These are tough questions indeed!